October 2018 – Artforum

Read Next: A RESPONSE TO THE OPEN LETTER OF OCTOBER 19

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Georg Baselitz, Waldarbeiter (Woodsmen), 1967–68, charcoal and synthetic resin on canvas, 97 7⁄8 × 78 3⁄4".

Hirshhorn Museum and Sculpture Garden

By Carroll Dunham

Firelei Báez, for Marie-Louise Coidavid, exiled, keeper of order, Anacaona, 2018, oil on canvas. Installation view, Akademie der Künste. Photo: Timo Ohler.

THE 10TH BERLIN BIENNALE

By Madeleine Schwartz

Anni Albers, study for a 1926 unexecuted wall hanging (detail), n.d., gouache and pencil on photo offset paper, 15 1⁄8 × 9 7⁄8".

K20 Grabbeplatz

October 2018

NOTHING PERSONAL

Claire-Louise Bennett on Jean-Jacques Schuhl’s Dusty Pink

By Claire-Louise Bennett

October 2018

A MARICÓN BEAUTY

Alexandro Segade on queer Chicanx zines

By Alexandro Segade)

October 2018

Amy Taubin on Jean-Luc Godard’s Le livre d’image

October 2018

Jeffrey Saletnik on FRONT International: Cleveland Triennial for Contemporary Art

By Jeffrey Saletnik

October 2018

Celeste Olalquiaga on Medusa

By Celeste Olalquiaga

October 2018

Claudia La Rocco on Rashaun Mitchell and Silas Riener’s Desire Lines

Still from Night Journey.

Dawn Chan on Bill Viola’s The Night Journey

October 2018

JEREMY O. HARRIS

By Jeremy O. Harris

October 2018

Jennifer Krasinski on the art of Reza Abdoh

By Jennifer Krasinski

October 2018

OUT OF YOUR HEAD: THE ART OF BRUCE NAUMAN

October 2018

on the art of Bruce Nauman

October 2018

JACOLBY SATTERWHITE

on the art of Bruce Nauman

By Jacolby Satterwhite

October 2018

on the art of Bruce Nauman

By Paul McCarthy

October 2018

Sam McKinniss on the art of John Waters

By Sam McKinniss

October 2018

1000 WORDS: WILL RAWLS

TALKS ABOUT HIS RECENT “CURSOR” AND UNCLE REBUS PERFORMANCE WORKS

October 2018

ICONIC ENCOUNTER

Michael Lobel on Gordon Parks and Ella Watson

By Michael Lobel

October 2018

Dennis Lim on The Films of Heinz Emigholz

October 2018

OPENINGS: CHARLOTTE PRODGER

Erika Balsom on Charlotte Prodger

By Erika Balsom

Cecilia Vicuna, Leoparda de Ojitos (Leopard of Little Eyes), 1976, oil on canvas, 55 3⁄8 × 35 1⁄2".

CECILIA VICUñA

Lehmann Maupin | New York, W 22 Street

By Colby Chamberlain

Simon Lee | New York

By Zack Hatfield

“MOON DANCERS: YUP’IK MASKS AND THE SURREALISTS”

By Sasha Frere-Jones

By David Frankel

Reena Spaulings Fine Art | New York

By Michael Wilson

BEVERLY BUCHANAN, THORNTON DIAL, AND THE GEE’S BEND QUILTMAKERS

Andrew Edlin Gallery

By Courtney Fiske

By Ida Panicelli

Leslie Tonkonow Artworks + Projects

By Barry Schwabsky

“CAST OF CHARACTERS”

Bureau of General Services—Queer Division (BGSQD)

By Nolan Boomer

Allan Stone Projects

By Rachel Churner

OLIVER LEE JACKSON

Burning in Water

By Donald Kuspit

ETEL ADNAN, IONE SALDANHA, AND CAROLEE SCHNEEMANN

Galerie Lelong & Co.

By Ania Szremski

Rubin Museum of Art

By Alpesh Kantilal Patel

Nam June Paik, White TV, 2005, monitor, acrylic, permanent oil marker, video (color, silent, 27 minutes 49 seconds), 17 1⁄2 × 17 3⁄4 × 21 1⁄2".

Harvard Art Museums

By Damon Krukowski

View of “Suki Seokyeong Kang,” 2018. Photo: Constance Mensh.

SUKI SEOKYEONG KANG

Institute of Contemporary Art, University of Pennsylvania

By Bea Huff Hunter

Luanne Martineau, Knocking Hangers, 2018, hand-needled felt, factory felt, handmade paper, linen, gesso, wood, Velcro, 6' 11" × 12' 7".

ELANA HERZOG AND LUANNE MARTINEAU

Western Exhibitions

By Brian T. Leahy

Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952, gelatin silver print, 24 × 20". From “Something (you can’t see, on the other side, of a wall from this side) casts a shadow.”

“SOMETHING (YOU CAN’T SEE, ON THE OTHER SIDE, OF A WALL FROM THIS SIDE) CASTS A SHADOW

Young Joo Lee, Paradise Limited, 2017, three-channel digital video, color, sound, 17 minutes.

OCHI | LOS ANGELES

By Andy Campbell

PATRICK JACKSON

François Ghebaly Downtown

By Lauren Mackler

By Suzanne Hudson

View of “Lee Bul,” 2018. Photo: Linda Nylind.

Hayward Gallery

By Gilda Williams

FERNANDA LAGUNA

Campoli Presti | London

View of “Pia Camil,” 2018. Photo: Stuart Whipps.

Nottingham Contemporary

Isabelle Andriessen, Tidal Spill (detail), 2018, ceramic, metal containers, iron(II) sulphate, potassium dichromate, potassium permanganate, silicone rubber, aluminum, refrigerant compressor, tubes, aroma, compressed air, 56 × 110 × 5". From “Le centre ne peut tenir.” Photo: Pierre Antoine.

“LE CENTRE NE PEUT TENIR”

Lafayette Anticipations

By Hannah Stamler

NAOKI SUTTER-SHUDO

Galerie Crèvecoeur

By Riccardo Venturi

Anne Zahalka, Flocking flamingos, 2018, pigment ink on canvas, 39 3⁄8 × 59”. From the series “Wild Life in the Age of the Anthropocene,” 2018.

Dominik Mersch Gallery

View of “Norbert Kricke and Ernst Wilhelm Nay,” 2018. From left: Ernst Wilhelm Nay, Untitled, 1953; Norbert Kricke, Raumplastik Schwarz-Rot (Sculpture-Black-Red), 1955. Photo: Roman März.

NORBERT KRICKE AND ERNST WILHELM NAY

Aurel Scheibler

By Kristian Vistrup Madsen

Galerie Tanja Wagner

By Barry Schwabsky

View of “May the bridges I burn light the way,” 2018. From left: Nschotschi Haslinger, Brennende Tasche (Burning Bag) I and II, both 2018. Photo: Christian Siekmeier.

“MAY THE BRIDGES I BURN LIGHT THE WAY”

By Travis Jeppesen

Anvar Musrepov, IKEA Costume, 2017, IKEA shopping bags, cloth, 64 7⁄8 × 33 3⁄8 × 4". From “Alternative Theses.”

“ALTERNATIVE THESES”

Esentai Gallery

By Noemi Smolik

Andro Wekua, Untitled, 2018, silkscreen ink and varnish on aluminum panel, 51 × 49 1⁄4".

Kunsthalle Zurich

By Aaron Bogart

View of “Irene Kopelman,” 2018. Walls: 77 Colors of a Volcanic Landscape A, B, C, 2016. Floor: The Levy’s Flight, Puzzle piece #2, 2012. Photo: Kristien Daem.

Kunstinstituut Melly

View of “Giuseppe Gabellone,” 2018. Foreground: Untitled, 2018. Background: Untitled, 2018. Photo: Roberto Marossi.

GIUSEPPE GABELLONE

By Giorgio Verzotti

ALDO TAGLIAFERRO

By Alessandra Pioselli

Armin Linke, OCEANS. Dialogues between ocean floor and water column, 2017, four-channel video installation, color, sound, 40 minutes. Installation view. Photo: Giulia Bruno.

Istituto di Scienze Marine

By Himali Singh Soin

View of “João Pedro Vale and Nuno Alexandre Ferreira,” 2018. Foreground: Vadios (Vagrants), 2018. Background: Take Ecstasy with Me, 2018. Photo: Bruno Lopes.

JOãO PEDRO VALE AND NUNO ALEXANDRE FERREIRA

Cristina Guerra Contemporary Art

By Alexandre Melo

Katrīna Neiburga, Pickled Long Cucumbers, 2017, two-channel video, color, sound, 11 minutes 44 seconds. From the 1st Riga International Biennial of Contemporary Art.

RIGA INTERNATIONAL BIENNIAL OF CONTEMPORARY ART

By Himali Singh Soin

Helidon Gjergji, Trapa Natans Scutariensis, 2018, acrylic, soft drinks, and ink on wall, 9' 10" × 32' 5 3⁄4" × 3 1⁄4". Installation view. Photo: Lazar Pejovic.

HELIDON GJERGJI

National Museum of Montenegro

By Cathryn Drake

Tunga, Untitled, 2011, ink on paper, 29 7⁄8 × 20". From the series “La voie humide,” 2011–16.

Museu de Arte do Rio

By Sérgio B. Martins

Xinyi Cheng, I surrender . . . , 2018, oil on linen, 55 × 45".

Antenna Space 天线空间

Aslan Gaisumov, Keicheyuhea, 2017, HD video, color, sound, 26 minutes. From “One Place after Another.”

“ONE PLACE AFTER ANOTHER”

Jewish Museum and Tolerance Center

By Olga Kopenkina

Anni Albers, With Verticals (detail), 1946, cotton, linen, 61 x 46 1/2". — Anni Albers, With Verticals (detail), 1946, cotton, linen, 61 x 46 1/2".

OCTOBER 2018

VOL. 57, NO. 2

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