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View of 2019 Whitney Biennial, Whitney Museum of American Art, New York. From left: Eric N. Mack, Proposition: for wet Gee’s Bend Quilts to replace the American flag&#—Permanently, 2019; Jennifer Packer, Untitled, 2019; Jennifer Packer, An Exercise in Tendernesses, 2017; Jennifer Packer, Untitled, 2019; Jennifer Packer, A Lesson in Longing, 2019. Photo: Ron Amstutz.

2019 WHITNEY BIENNIAL

Whitney Biennial

Sonya Clark, Many (detail), one hundred linen flags, each 18 1⁄2 × 36".

The Fabric Workshop and Museum

By Nell McClister

September 2019

By Lia Gangitano

September 2019

By Stefan Kalmár

September 2019

LAUGH IN, LAUGH OUT

Melissa Anderson on Lily Tomlin

By Melissa Anderson

September 2019

J. Hoberman on Hannah Frank’s Frame by Frame: A Materialist Aesthetics of Animated Cartoons

September 2019

MEET ME IN SAINT LOUIS

Jessica Baran on Counterpublic and art in Saint Louis

By Jessica Baran

Beverly Pepper at an Italian foundry, ca. 1960s.

Annie Godfrey Larmon on Beverly Pepper

By Annie Godfrey Larmon

September 2019

INSTITUTE OF QUEER ECOLOGY

By Institute of Queer Ecology

September 2019

“POPE.L: CONQUEST,” “POPE.L: CHOIR,” AND “MEMBER: POPE.L 1978–2001.”

MoMA - The Museum of Modern Art

By Yxta Maya Murray

September 2019

GAMING THE SYSTEM

Anthony Byrt on the art of Simon Denny

By Anthony Byrt

September 2019

Gary Indiana on the art of Sam McKinniss

By Gary Indiana

September 2019

September 2019

ERIKA BALSOM ON RUGILlĖ BARZDŽIUKAITŽ, VAIVA GRAINYTĖ, AND LINA LAPELYTĖ’S SUN & SEA (MARINA) AT THE LITHUANIAN PAVILION, VENICE

By Erika Balsom

September 2019

IN THE BLAND SCHEME OF THINGS

CLAIRE BISHOP ON “MAY YOU LIVE IN INTERESTING TIMES”

By Claire Bishop

September 2019

THE STORYTELLERS

JANET KRAYNAK ON “MAY YOU LIVE IN INTERESTING TIMES”

By Janet Kraynak

September 2019

Zehra Jumabhoy on the art of Zarina

By Zehra Jumabhoy

Kéré Architecture, Sarbalé Ke (House of Celebration), 2019, Coachella Valley Music and Arts Festival, Indio, CA, 2019. Photo: Iwan Baan.

Mimi Zeiger on the architecture of Diébédo Francis Kéré

September 2019

OPENINGS: EKTOR GARCIA

Margaret Kross on ektor garcia

By Margaret Kross

View of “Rosângela Rennó,” 2019.

ROSâNGELA RENNó

Cristina Guerra Contemporary Art

By Alexandre Melo

Fernanda Laguna, Vivir en la luz (To Live in the Light), 1994, painted wood, collage, light fixture, 9 × 10 5⁄8 × 13 3⁄4". From “Tácticas luminosas” (Luminous Tactics).

“TáCTICAS LUMINOSAS”

Colección de Arte Amalia Lacroze de Fortabat

Josh Smith, Scholes Street, 2019, oil on linen, 84 × 72 1⁄8".

David Zwirner | West 19th Street

By David Frankel

Lehmann Maupin | New York, W 22 Street

Reena Spaulings Fine Art | New York

By Jennifer Krasinski

Kasmin | 509 W 27th Street

By Donald Kuspit

Salon 94 | Bowery

By Barry Schwabsky

Bridget Donahue

Callicoon Fine Arts

By Jeffrey Kastner

David Lewis | 57 Walker St

By Zoë Lescaze

DC Moore Gallery

By Zack Hatfield

RICO GATSON AND BASEERA KHAN

Jenkins Johnson Projects

By Murtaza Vali

MAD - Museum of Arts and Design

“AS IF: ALTERNATIVE HISTORIES FROM THEN TO NOW”

The Drawing Center

By Ania Szremski

By Darren Jones

View of “Janet Burchill and Jennifer McCamley,” 2019.

JANET BURCHILL AND JENNIFER MCCAMLEY

Heide Museum of Modern Art

By Charles Green

Leonora Carrington, And Then We Saw the Daughter of the Minotaur!, 1953, oil on canvas, 23 3⁄5 × 27 1⁄2".

LEONORA CARRINGTON

Gallery Wendi Norris Offsite

By Paige K. Bradley

Thomas Joshua Cooper, Moonrise over Montauk&#—The North Atlantic Ocean, Montauk Point, “The End,” East Hampton Township, (South Fork) Suffolk County, Long Island, New York, 2016–2017, gelatin silver print, 30 × 40".

THOMAS JOSHUA COOPER

Parrish Art Museum

By Barry Schwabsky

Bob Ross, Cactus at Sunset, 1986, oil on canvas, 18 × 24". From “New Age, New Age: Strategies for Survival.”

“NEW AGE, NEW AGE: STRATEGIES FOR SURVIVAL”

DePaul Art Museum

Jonas Wood, Jungle Kitchen, 2017, oil and acrylic on canvas, 100 × 93".

Dallas Museum of Art

By Matthew Bourbon

Joan Brown, The Cosmic Nurse, 1978, acrylic on canvas, 96 1⁄2 × 79".

Anglim Gilbert Gallery

By Canada Choate

View of “David Hammons,” 2019. Photo: Fredrik Nilsen.

Hauser & Wirth | Downtown Los Angeles

By Catherine Taft

François Ghebaly Downtown

By Andy Campbell

By Ashton Cooper

Amalie Atkins, Requiem for Wind and Water, 2018, 16 mm, color, 25 minutes.

View of “Prabhavathi Meppayil,” 2019. Foreground: sb/eighteen, 2018. Background, from left: l/hundred thirty six, 2018; l/hundred twenty eight, 2019.

PRABHAVATHI MEPPAYIL

By Emily LaBarge

Soft Opening | Minerva St

By Gilda Williams

Bernard Frize, Nami, 2019, acrylic and resin on canvas, 39 3⁄8 × 31 7⁄8".

Perrotin | Paris

By Mara Hoberman

Balice Hertling | 84 rue des Gravilliers

By Lillian Davies

Veit Laurent Kurz, Herba Stammtisch (Herba Regulars’ Table), 2019, mixed media, dimensions variable.

VEIT LAURENT KURZ

Isabella Bortolozzi Galerie

By Kristian Vistrup Madsen

Susanne M. Winterling, Vertex Still (I) from Planetwall, 2015, digital print on Plexiglas, 23 5⁄8 × 31 1⁄2".

SUSANNE M. WINTERLING

Parrotta Contemporary Art Cologne / Bonn

By Noemi Smolik

Linda McCue, Untitled, 2018, oil and transparent gesso on canvas, 17 3⁄8 × 23 5⁄8".

Galerie Vera Munro

By Jens Asthoff

Elke Silvia Krystufek, NOT MY JUSTICE, 2019, acrylic and ink on canvas, 55 1⁄8 × 70 7⁄8".

ELKE SILVIA KRYSTUFEK

By Brigitte Huck

View of “Roman Opałka,” 2019. From left: Détail 1896176–1916613; Détail 1916614–1940089; Détail 1940090–1965011, all works undated.

By Giorgio Verzotti

Haris Epaminonda, Untitled #06 t/g, 2019, mirrored and lacquered wooden panel, brass, wooden panel, temple model, 27 5⁄8 × 19 3⁄4 × 20 1⁄2".

HARIS EPAMINONDA

Galleria Massimo Minini

By Alessandra Pioselli

Bárbara Wagner & Benjamin de Burca, Faz que vai / Set to Go, 2015, 2K video, color, sound, 11 minutes 50 seconds.

BáRBARA WAGNER AND BENJAMIN DE BURCA

Stedelijk Museum Amsterdam

By Huib Haye van der Werf

Marjolijn Dijkman & Toril Johannessen, Liquid Properties, 2018, handblown glass, water samples, microorganisms, metal structure, dimensions variable.

MARJOLIJN DIJKMAN AND TORIL JOHANNESSEN

OSL contemporary

By Maria Horvei

Hreinn Friðfinnsson, Pair, 2004–2005, shoe, mirror with frame, dimensions variable.

HREINN FRIðFINNSSON

Centre d'Art Contemporain Genève

Gene Beery, Mere Decoration, 1976, acrylic on canvas, 19 1⁄2 × 25".

By Kari Rittenbach

Andreas Angelidakis, DEMOS Pink, 2018, foam, vinyl, twenty parts. Installation view. From the series “Demos,” 2016–.

ANDREAS ANGELIDAKIS

By Klea Charitou

Roman Petrović, Dećek z balonom (Boy with a Balloon), 1929, oil on plywood, 57 1⁄2 × 45 1⁄8". From “On the Brink: The Visual Arts in the Kingdom of Yugoslavia (1929–1941).”

“ON THE BRINK: THE VISUAL ARTS IN THE KINGDOM OF YUGOSLAVIA (1929–1941)”

Museum of Modern Art (MG+) | Ljubljana

Portia Zvavahera, Cleansing, 2019, oil-based printing ink and oil bar on canvas, 79 1⁄8 × 68 1⁄2".

PORTIA ZVAVAHERA

Stevenson Johannesburg

By Athi Mongezeleli Joja

View of “Hao Liang,” 2019. From left: Lunar Corona No. 6, 2018; Lunar Corona No. 5, 2018, Lunar Corona No. 4, 2018; Lunar Corona No. 3, 2018.

Condo | Shanghai

“IN MY ROOM”

Antenna Space 天线空间

By Travis Jeppesen

Richard Aldrich, I(?), 2017, oil and wax on panel, 14 × 10".

RICHARD ALDRICH

By Yuki Higashino

Tarsila do Amaral, Abaporu (The Man Who Eats), 1928, oil on canvas, 33 1⁄2 × 28 1⁄2".

TARSILA DO AMARAL

MASP - Museu de Arte de São Paulo Assis Chateaubriand

By Camila Belchior

Fernando Méndez Corona, ME AND YOU, 2018, oil on canvas, 80 × 80".

Mexicali , Mexico

FERNANDO MéNDEZ CORONA

Centro Estatal de las Artes, Mexicali

Sam McKinniss, Star Spangled Banner
(Whitney) (detail), 2017, oil and acrylic on canvas, 9 × 12". — Sam McKinniss, Star Spangled Banner (Whitney) (detail), 2017, oil and acrylic on canvas, 9 × 12".

SEPTEMBER 2019

VOL. 58, NO. 1

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