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Frankfurt

Edson Chagas, TIPO PASS-Filipe D. Kuangana, 2012, C-print, 39 3/8 x 31 1/2". From “The Divine Comedy: Heaven, Hell, Purgatory from the Perspective of Contemporary African Artists.”

“The Divine Comedy: Heaven, Hell, Purgatory from the Perspective of Contemporary African Artists”

MUSEUM MMK FÜR MODERNE KUNST

By Chika Okeke-Agulu

January 1, 2014 12:00 am

Hélio Oiticica and Neville D’Almeida, Cosmococa CC5 Hendrix War, 1973/2013, mixed media. Installation view.

“Brasiliana: Installations from 1960 to the Present”

Schirn Kunsthalle Frankfurt

Schirn Kunsthalle Frankfurt
Römerberg

October 2, 2013 - January 5, 2014

By Andrea Gyorody

Philip-Lorca diCorcia, New York City, 1996, C-print, 16 1/4 x 20 3/8".

Philip-Lorca DiCorcia

Schirn Kunsthalle Frankfurt

By Vince Aletti

May 1, 2013 12:00 am

“Piero Manzoni: When Bodies Became Art”

By Anthony White

May 1, 2013 12:00 am

View of “Thomas Scheibitz: One Time-Pad,” 2012.

Thomas Scheibitz

Museum für Moderne Kunst (MMK)

MUSEUM MMK FÜR MODERNE KUNST
Domstraße 10

September 29, 2012 - January 13, 2013

By Jurriaan Benschop

Thomas Scheibitz, Ex Block, 2012, 51 1/2 x 33 1/2 x 39".

“Thomas Scheibitz: One-Time Pad”

MUSEUM MMK FÜR MODERNE KUNST

By Jordan Kantor

October 1, 2012 12:00 am

Bettina Pousttchi, Framework (detail), 2012, ink-jet prints on adhesive vinyl. Installation view.

Bettina Pousttchi

Schirn Kunsthalle Frankfurt

By Barry Schwabsky

Print October 2012

View of “Object Atlas,” 2012.

“Object Atlas”

Weltkulturen Museum

Weltkulturen Museum
Schaumainkai 29-37

January 25, 2012 - September 16, 2012

By Caroline Hancock

Edvard Munch, Puberty, 1894-95, oil on canvas, 59 3/5 x 43 3/10".

“Edvard Munch: The Modern Eye 1900–1944”

Centre Pompidou

By André Dombrowski

September 1, 2011 12:00 am

Armin Boehm, Se Taire, 2008, oil, metal, and thread on board, 21 1/4 x 18 7/8".

“Secret Societies”

CAPC musée d'art contemporain

By Martin Herbert

May 1, 2011 12:00 am

Guillermo Faivovich & Nicolás Goldberg, El Taco, 2010, iron and nickel, two halves, each approx. 23 5/8 x 51 x 63".

Guillermo Faivovich & Nicolás Goldberg

By Catrin Lorch

Print February 2011

George Condo, Spiderwoman, 2002, oil on canvas, 96 x 80".

Hayward Gallery

By David Rimanelli

January 1, 2011 12:00 am

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

Art history after Black studies

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

Station to Station

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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