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Naples

Jimmie Durham, Malinche, 1988–92, wood, cotton, snakeskin, watercolor, polyester, metal, 69 3⁄4 × 23 5⁄8 × 35".

Fondazione Morra Greco

By Giorgio Verzotti

John Stezaker, Train, 2012–21, HD video, color and black-and-white, silent, 9 seconds.

Fondazione Morra Greco

Bob Law, Drawing 29.4.59, 1959, pencil on handmade paper, embossed, 10 × 14".

Thomas Dane | Naples

By Kristian Vistrup Madsen

Print February 2022

Renato Leotta, Lighea, 2019, clay, 7 7⁄8 × 6 1⁄4 × 5 7⁄8".

By Eugenio Viola

Print April 2020

Juan Uslé, Soñé que revelabas (Narmada) (Dreams That Reveal [Narmada]), 2018, vinyl, dispersion, and dry pigment on canvas, 107 7⁄8 × 79 7⁄8".

Alfonso Artiaco

By Ida Panicelli

Print March 2019

Eric Wesley, myspace, 2018, oil on canvas, 40 x 40”.

FONTI

FONTI
Via Chiaia 229

October 27, 2018 - December 28, 2018

By Maria Giovanna Mancini, archive intern

View of “NaOH,” 2018.

Francesca Grilli

Umberto Di Marino

Casa Di Marino
Via Monte di Dio, 9

June 7, 2018 - September 22, 2018

By Adriana Rispoli, archive intern

View of Pennacchio Argentato's "#Burn Burn Burn," 2018.

Pennacchio Argentato

Acappella

Acappella
Vico Santa Maria a Cappella Vecchia 8/A

March 31, 2018 - June 20, 2018

By Adriana Rispoli, archive intern

Jimmie Durham

“Mostra Inaugurale”

Thomas Dane | Naples

Thomas Dane | Naples
Via Francesco Crispi, 69 (1º Piano)

January 25, 2018 - March 24, 2018

By Maria Giovanna Mancini

Giovanni Giaretta, The Nightshift, 2017, video, black-and-white and color, sound, 7 minutes 11 seconds. Installation view.

Giovanni Giaretta

Galleria Tiziana Di Caro

Galleria Tiziana Di Caro
Piazzetta Nilo, 7

January 13, 2018 - March 17, 2018

By Adriana Rispoli, archive intern

Giulio Paolini, Contemplator enim, 1992, mixed media, dimensions variable.

“Carta Bianca Capodimonte Imaginaire”

Museo e Real Bosco di Capodimonte

Museo e Real Bosco di Capodimonte

December 15, 2017 - March 15, 2018

By Adriana Rispoli, archive intern

Jimmie Durham

FONTI

FONTI
Via Chiaia 229

November 17, 2017 - January 12, 2018

By Adriana Rispoli

Most Read

Doug Lawler/East Bay Media Collective

INTERVIEWS

ART HISTORY AFTER BLACK STUDIES

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

STATION TO STATION

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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