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St. Gallen

View of “Melike Kara: Emine's Garden,” 2023. Photo: Kunst Halle Sankt Gallen/E. Sommer.

Kunst Halle Sankt Gallen
Davidstrasse 40

July 8, 2023 - October 15, 2023

By Vojin Saša Vukadinović

Olaf Nicolai, That's a God-forsaken place, 2018, mixed media, dimensions variable. Installation view.

Kunstmuseum St. Gallen

Kunstmuseum St. Gallen
Museumstrasse 32

July 7, 2018 - November 11, 2018

Lawrence Abu Hamdan, Conflicted Phonemes, 2012, vinyl, paper, paint, wood. Installation view.

Lawrence Abu Hamdan

Kunst Halle Sankt Gallen

Print November 2015

Roman Signer, Unfall als Skulptur (Accident as Sculpture), 2008. Performance view, Kunstraum Dornbirn, Austria, 2008.

Kunstmuseum St. Gallen

By Daniel Birnbaum

May 1, 2014 12:00 am

Petrit Halilaj, It is the first time dear, that you have a human shape (detail), 2012, steel, stones, dimensions variable.

Kunst Halle Sankt Gallen

By Marco Tagliafierro

Print November 2012

Haroon Mirza, Digital Switchover (detail), 2012, mixed media, dimensions variable. Installation view.

Kunst Halle Sankt Gallen

Kunst Halle Sankt Gallen
Davidstrasse 40

April 21, 2012 - July 1, 2012

By Hans Rudolf Reust

View of “Mariana Castillo Deball,” 2009. From left: Entropology, 2008–2009; and Do ut des, 2008–2009.

Mariana Castillo Deball

Kunst Halle Sankt Gallen
Davidstrasse 40

February 14, 2009 - April 12, 2009

By Eva Scharrer

Vojin Saša Vukadinović on Melike Kara

David Claerbout

Kunstmuseum St. Gallen

By Eva Scharrer

Print November 2008

Nedko Solakov, The Yellow Blob Story, 1997, yellow paint and handwritten text on wall. Installation view, Sofia City Art Gallery, Sofia, Bulgaria. From "The Absent-Minded Man" project.

Kunstmuseum Bonn

By Martin Herbert

September 1, 2008 12:00 am

Ryan Gander, Milestone, 2006, concrete, 13 3/4 x 9 7/8 x 4 3/4".

Kunst Halle Sankt Gallen

By Gilda Williams

May 1, 2008 12:00 am

Vojin Saša Vukadinović on Melike Kara

Kunstmuseum St. Gallen

By Hans Rudolf Reust

Print Summer 2007

Come on, play it again no. 4, 2001.

Raoul de Keyser

January 1, 2004 1:05 am

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Doug Lawler/East Bay Media Collective

INTERVIEWS

Art history after Black studies

Spread from Ed Ruscha’s Twentysix Gasoline Stations (Cunningham Press, 1963). © Ed Ruscha.

Station to Station

Cover of The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster (Bay Press, 1983).

THE ANTI-AESTHETIC AT FORTY

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