COLUMNS

  • New Wave

    THE HELLENISTIC GREEKS INVENTED historical self-consciousness as we know it when, five hundred years after the original efflorescence, they revived the Archaic style for contemporary markets. This ambiguous advance in the history of taste was not without detractors—“Cessavit deinde ars” proclaimed the Elder Pliny of Greek art after Lysippus—and a general disapprobation of revivalism has persisted to this day. For every Renaissance there’s a half-dozen neo-Gothics. But what are you supposed to do when all culture is revivalist?

    On the threshold of the millennium, revival culture is the only thing

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  • My Bloody Valentine

    DREAM POP—THE WORDS CATCH in your throat like swallowed bubble gum. Which is why they summarize so well the music they’ve been glommed to. Eventually popularized by such bands as Ride, Lush, and My Bloody Valentine, the sound that inspired dream pop originally lofted up from the clubs of Manchester, England, in the mid ’80s, where an emerging generation of teen alchemists patched strobe lights and fully cranked guitar noise into acid-house sequencers, wrapping rock metal around house’s sensual yet faceless motifs of process and repetition. Opposed to the civic-mindedness many postpunk acts had

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