View of Marisol’s New York studio. Photo: Jason Mandella

Marisol Estate Bequeathed to Albright-Knox Art Gallery

The Albright-Knox Art Gallery in Buffalo has received the largest gift of art in its history—the entire estate of Venezuelan American artist Marisol. Upon her death in 2016 at the age of eighty-five, María Sol Escobar left the museum more than one hundred sculptures spanning her sixty-year career, over 150 works on paper, thousands of photographs and slides, and a collection of works by other artists.

“The Albright-Knox is proud to have been the first museum to acquire Marisol’s work,” director Janne Sirén said in a statement. “We are moved, and profoundly grateful, that Marisol was similarly proud of her association with the Albright-Knox and took the extraordinary step of leaving her estate to our museum.”

The museum purchased its first works by the artist—The Generals, 1961–62, from her solo show at Stable Gallery, and Baby Girl, 1963—in 1962 and 1964. Marisol’s longtime friend and co-executor of her estate Carlos Brillembourg, told the Buffalo News that the artist was incredibly grateful when Knox bought the works. He added, “I think it’s a wonderful thing for an artist to have a museum take care of their archive because it means that it will always be in public view and not dispersed among private collections.”

Highlights of the gift include The Funeral, 1996, based on John F. Kennedy Jr.’s funerary procession, a portrait of the artist and her mother, and The Hungarians, 1955, a family portrait featuring a mother, father, toddler, and an infant with bulging eyes and a shallow face. The museum will soon begin the process of cataloguing and photographing the vast collection.