COLUMNS

  • Bob Nickas on Leigh Bowery

    “IT WAS A BIT LIKE GOING to the zoo and watching Guy the Gorilla in drag.” That’s how Cerith Wyn Evans recalls Leigh Bowery’s weeklong London performance at Anthony d’Offay Gallery in 1988. Bowery, each day in a different costume of his own design, appeared behind a one-way mirror, with an Empire divan on which to perch, pose, or recline. Visitors saw him, but he saw only himself, performed for his own reflection. Footage of the event figures prominently in The Legend of Leigh Bowery (2002), Charles Atlas’s recently unveiled documentary, and the spooky, otherworldly spell that Bowery casts is

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  • the Five Lesbian Brothers

    Bitter jealousy, glorious revenge, corrupted innocence—these are the tropes of an emerging pulp lesbian sensibility that traffics in the tawdry castoffs of ’50s and ’60s American pop culture. The territory of fanzines, girl bands, and a host of recent artists and writers, this self-consciously downbeat vision salvages its images from a mélange of bad plays, pop psych, and supermarket novels from Ann Bannon to Jacqueline Susann. Trashy, melodramatic, and trading on irony, its seductions collide with more familiar aims of gay cultural politics: countering the stereotype, fighting misrepresentation,

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