Critics’ Picks

Günther Förg, Untitled, 2008, oil and acrylic on canvas, 9 1/2 x 13'.

Hong Kong

Günther Förg

Massimo De Carlo | Hong Kong
Pedder Building, 12 Pedder Street 3F
May 27 - September 3

In Günther Förg’s lifelong relationship with abstract painting, he embraced colors even if it included limiting his use of them. He played unwaveringly with the sense of proportion on his canvases. The paintings on exhibit here were made after 2007 and after he had established a reputation for lead paintings and monochromes. But unlike his earlier Minimalist works, these varicolored renditions are abundantly expressive. For instance, Untitled, 2008—a large, white-primed canvas on which the artist energetically scribbled blocks of pink and ocher amid occasional incidents of blue, yellow, and green—is redolent with something close to desire. Seemingly hasty in gesture, the blocks consist of vertical lines and look almost like rubbings or smears. They appear disparate at first, but their constancy across the painting’s surface and the repetitious pattern form a definite composition. As a result, this series of paintings, five in total, energizes the atmosphere in the room. In another untitled canvas also from 2008, no particular hue dominates, but rather Förg has prioritized the distribution of sky blue, orange-red, and deep purple as groupings laid atop other color variations. They cohere with rhythm, and the painting seems to move from left to right, guided by the bright scribbles.

Förg’s blocks are prolific and appear to quiver, sometimes breaking away from their flocks. Ultimately, it is the white priming of their background, like the white of an eye, that allows them to react so strongly to one another. As if on the verge of a precipice, the viewer’s gaze is torn from a soft pink to a pine green, back and forth and over again. Each canvas enacts its own pace as Förg exploits the suggestive interrelations between his colored rectangular shapes to create an aesthetic experience that engages all the senses.