Critics’ Picks

Paige Powell, The Ride, 2015, three-channel digital projection, color, sound, 18 minutes 42 seconds.


Paige Powell

Portland Art Museum
1219 SW Park Avenue
November 5, 2015–April 20, 2016

For more than thirty years, a treasure trove of photographs and videos lay dormant in the nooks and crannies of the home of native Portlander Paige Powell, a former publisher at Interview magazine, Andy Warhol’s confidante, and girlfriend of Jean-Michel Basquiat. This two-part installation is Powell’s first museum show displaying the intimate archive she created of the 1980s New York art world. As part of Warhol’s circle, she was surrounded by spectacular personalities. Yet many of her images in the exhibition depict quotidian reflective moments—conversations over dinner, workplace diversions, and artmaking—suggesting that Powell was more interested in her subjects’ inner lives than in their public status.

The largest work in the show—The Ride, 2015—presents three newly unearthed videos that include footage of both Warhol and Keith Haring. Each video is projected onto one of three identical, and abutting wall-covering images of Basquiat sitting in the back of a limo watching television. The videos are aimed to make it appear as though they are what Basquiat is watching, though in the original photograph he’s watching the movie Goldfinger. Framing these within the limo speaks to the explosion of home videos and cable television during the 1980s and references Warhol’s ever-prescient vision of America’s narcissistic media obsession. The most compelling of the videos depicts Haring painting black designs on a large white sculpture of an elephant. It’s mesmerizing to watch Haring work, his brush gracefully arcing across the surface of the sculpture without spilling a drop of paint. His elegant gestures are a stinging reminder of all that would soon be lost.