Critics’ Picks

Jae-hyun Shin, Trailing: Drawing Performance in Fifty Days (detail), 2014, mixed media, dimensions variable.

Jae-hyun Shin, Trailing: Drawing Performance in Fifty Days (detail), 2014, mixed media, dimensions variable.

Seoul

“Secretly, Greatly”

Seoul Museum of Art
61, Deoksugung-gil, Jung-gu
June 10–August 3, 2014

“Secretly, Greatly” presents artworks by the three finalists of the reality-TV competition Art Star Korea, which premiered in late March. The show gave fifteen artists the opportunity to compete for substantial rewards: a cash prize of $93,000 and a solo exhibition at a prestigious gallery in Seoul. The show also set no restrictions on the contestant’s age, education, or occupation, which resulted in over four hundred applicants. The final three—Hyeyoung Ku, Jae-hyun Shin, and Byung-seo Yoo—survived the ten episodes, in which they underwent art-school style criticisms by five judges after each weekly “mission.”

The current exhibition at the Seoul Museum of Art was the site for the concluding episode and features the final three works. Wearing a blood-red chiffon gown and a silver wig, Ku enacted Sincereness of the Tilted Stage (all works 2014) a spectacular performance of Beethoven’s Symphony No. 9 in D Minor. Yet the tilted stage and the muffled sound revealed that she was not actually acting as conductor, only imitating one. Alongside four kinetic installations that addressed both personal and political issues, Yoo offered Artist’s How Are You?, in which he set up a desk and two chairs to discuss the meaning of art in contemporary society with visitors. For Shin’s Trailing: Drawing Performance in Fifty Days, which comprised video, installation, and live performance, he additionally prompted visitors to consider solutions to a nuclear disaster. Hailing from Yangsan, a town near the Gori nuclear power plant in Korea, Shin examined how this decrepit facility represents an immediate source of acute anxiety. On a screenlike piece of canvas, he wrote the names of residents living within an approximately twenty-mile radius of Gori. Yet soon after, the names disappeared as the ink dried out. The work stands as a countermemorial, and, in the end, Shin won the competition.

Ku will perform the piece every Saturday afternoon until the end of the show. Yoo is determined to be present at the desk every day, and Shin intends to keep writing the names on site while the museum is open and until this exhibition ends.