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THIS MONTH IN PRINT
![]() The artists featured in our May issue are all of the Artforum kind: ambitious, unassimilable—the kinds of artists for whom this magazine exists, who inspire the rich writing that is our hallmark. There are new takes on those you thought you knew: Bruce Hainley scores the randy beguilements of André Cadere, Kaelen Wilson-Goldie sheds light on Ruth Asawa, and David Rimanelli brings to view long-overlooked paintings by provocateur Pierre Molinier. There are also thoughtful surveys: Tim Griffin writes on the provisional sculptures of Virginia Overton; Sasha Frere-Jones on the epiphanic music of ninety-year-old auteur Éliane Radigue; and Ed Halter and Tobi Haslett bring their brilliant analytic gifts to bear on the sophisticated cinematic and discursive networks of the Otolith Group, featured on this issue’s cover. If you don’t already support Artforum, I encourage you to subscribe now and take advantage of our spring rates. You won’t just be getting the magazine (and access to our incomparable sixty-year archive), you’ll be witnessing history in the making. —David Velasco ON THE COVER
![]() —Ed Halter “An anticapitalist politics popped from the socket of pessimism will have to plunge into the geological, microbial, perceptual, and somatic, the many delirious layers of what Marxists mean by the word ‘totality.’” —Tobi Haslett |
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