LETTERS
April 1963
COLUMNS
San Francisco
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on “Viennese Expressionism, 1910–1924”
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on Charles Mattox
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on “Eskimo Prints”
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on Robert B. Howard
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on Sidney Gordin
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on Clayton Pinkerton
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on “Bay Area Group”
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on Martin Baer, Amy Fleming, Jack Zajac and Harry Crotty
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on David Lynn
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on Harry Lum
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on Charles Plymell and Jose Cross
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on Antonio Sotomayor
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on Newell, Wentworth and Vanderveen
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on Harry Bowden and Eugene Courtois
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on Bella Feldman and Erik Gronborg
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on Umberto Foppiani
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on Iqbal Geoffrey
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on Ernest Lacy
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on Mary Meinke and Michael Fong
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on Pat Traubel
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on Margaret Smith and William Luft
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on Gertrude Venton
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on “Limited Pulls”
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on Richard Ewen, Sam Richardson, Jean Kalish and Henrietta Berk
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on Ryonosuke Fukui
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on Abram Krol
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on Daniel Mendelwitz
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on Group Show
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on “Student Sculpture from the University of California”
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on Alexander Nepote, Ken Morrow and Tio Giambruni
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on Edgar Dorsey Taylor and Gail Wong
Portland
Arizona
Los Angeles
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on Vasily Kandinsky
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on “The Artist’s Environment: West Coast”
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on Edmund Teske
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on “Old Master Prints”
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on Dennis Hopper
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on Paul Wonner
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on Claire Falkenstein
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on William Dole
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on Martial Raysse
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on “Modern American Painters”
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on Richards Ruben
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on Berthe Morisot
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on Melvyn Sanger
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on Frank Sardisco
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on Frederick Hammersley
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on “101 Objects of Wood”
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on Group Show
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on Vernon Fimple
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on “Invitational”
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on Bertil Vallien
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on Emilio Ortiz
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on Carlos Suarez and Keith Martin
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on Max Band
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on Paul Darrow
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on “The Human Figure”
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on Anya Fisher
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on Harrison McIntosh
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on Bedri Rahmi and Bernice Kussoy
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on Willie Suzuki
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on Joseph Young
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on “The Wooden Horse Gallery”
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on Richard Whorf and Paul Jasmin
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on “Michael Bastian Looks at Environment”
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on Hitchcock Collection
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on Group Show
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on Group Show
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on Ruth Osgood
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on “The Horse in Art”
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on “Nineteenth Century American Paintings”
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on Group Show