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Jackson Pollock’s Drawings

DURING THE EIGHTEEN MONTHS of his analysis in 1939–40 Jackson Pollock produced for discussion between himself and his analyst, Dr. Joseph Henderson, 69 pages of drawings, 13 of which bore images on both front and back. The imagery on almost half of these sheets relates directly to Picasso’s Guernica. In conversation, Dr. Henderson has said that these drawings were dream representations which Pollock produced specifically for his analytic sessions—rather than drawings made independently of the therapy and brought into the sessions to facilitate the process of association. Are we to think, then, that in 1939–40 Pollock’s dream life was taken up with the Guernica?

Last year, with the consent of Lee Krasner Pollock, Dr. Henderson sold 67 of these sheets to the Maxwell Gallery in San Francisco. Only two of them had been exhibited previously (“Jackson Pollock” The Museum of Modern Art, 1968).

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