PRINT May 1974

Standish Lawder

STANDISH LAWDER IS AN underground filmmaker. In a sense this is an inside joke—he first made films in the basement of his home in New Haven; now he works in his basement film studio at Yale where he also teaches. Furthermore, he seldom shoots films outdoors, but works within restricted spaces, enclosed by walls, by the camera’s immobility, or perhaps by the preexisting limits imposed by his choosing to make new films from old films. Lawder is better described as an experimental underground filmmaker because of the way in which his films lead the viewer to a particular consciousness of their speculative nature.

Necrology, 1969–70, is, paradoxically, both a film containing no camera movement and an important one in the history of camera movement. The first image appears to be produced by a crane-mounted camera moving down a row of people standing on an inclined surface, such as a football

to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for Register here.

SUBSCRIBE NOW at the discounted holiday rate of $45 a year—70% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.