THE EXTRAVAGANT DEPRESSION: JOHN GUTMANN’S PHOTOGRAPHS OF THE THIRTIES

Max Kozloff

THE PLEDGE OF ALLEGIANCE

Rene Ricard

HEADS IT’S FORM, TAILS IT’S NOT CONTENT

Thomas McEvilley

THE DARK SIDE OF THE BRIGHT LIGHT

Thomas Lawson

CONSTRUCTIVE ISSUES IN RELIEF

Joseph Masheck

VENICE BIENNALE 1982: NO FORM, LITTLE CONTENTMENT

Kate Linker and Ida Panicelli

New York

• Thomas Lawson on “New Perspectives”

• Lisa Liebmann on Keith Sonnier

• John Howell on Fiona Templeton

• Edit deAk on John Ahearn

• Charles Hagen on Susan Eder

• Jeanne Silverthorne on John Chamberlain

• Jeanne Silverthorne on “Primer (for Raymond Williams)”

• Kate Linker on “New Work on Paper 2”

• Kate Linker on “Culture Stations”

• Kate Linker on “Public Vision”

• Barbara Kruger on “Tron”

Cambridge

• Richard Flood on “Intimate Architecture: Contemporary Clothing Design”

Chicago

• Michael Bonesteel on Dennis Nechvatal

San Francisco

• Thomas McEvilley on Twelfth International Sculpture Conference

Los Angeles

• Susan C. Larsen on Tony Berlant

Newport Harbor

• Christopher Knight on David Amico

Cologne

• Annelie Pohlen on Felix Droese

Amsterdam

• Paul Groot on René Daniëls

London

• Stuart Morgan on David Mach

• Stuart Morgan on David Hockney

Paris

• Lisa Liebmann on Francesco Clemente