OBSESSIVE PICTURES OR OPPOSITION TO THE NORM: NOTEWORTHY ASPECTS OF THE ENGAGED IMAGINATION IN NEW GERMAN ART Annelie Pohlen
THE DEATH OF SEMIOTICS (IN LATE MODERN ARCHITECTURE), THE CORRUPTION OF METAPHOR (IN POST-MODERNISM), THE BIRTH OF THE PUNCTUM (IN NEOMANIA) Douglas Davis
New York Charles Hagen on Mark Klett Thomas McEvilley on Peter Schuyff Thomas McEvilley on Stelarc Lisa Liebmann on Yves Saint Laurent John Howell on Ping Chong, “A Race” Glenn O’Brien on Stephen Ludlum Glenn O’Brien on James McGarrel Thomas Lawson on Group Material Thomas Lawson on James Brown Kate Linker on Raymond Hood Kate Linker on Terry Fox Patricia C. Phillips on Thomas Faulkner Patricia C. Phillips on Daria Dorosh Jean Fisher on Carnival Knowledge, “The Second Coming” Jean Fisher on Club 90 Richard Armstrong on Charles Burchfield Richard Armstrong on Michael Hurson Richard Armstrong on Robert Lobe Ronny Cohen on Angela Ho Ronny Cohen on Suzanne Joelson Ronny Cohen on Jack Chevalier Ronny Cohen on Jason Stewart Donald Kuspit on Max Beckmann Donald Kuspit on Dennis Oppenheim Jeanne Silverthorne on Kenny Scharf Jeanne Silverthorne on Jules Olitski Jeanne Silverthorne on Grace Hartigan
London Richard Cork on “The Omega Workshops: Alliance And Enmity In English Art 1911–1920,” “The Omega Workshops 1913–19: Decorative Arts Of Bloomsbury”