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ON A DOZEN PAGES of this issue of Artforum we have reproduced black and white photographs of artworks from the epochal year 1968. These images, these slices of time and history, inspire a poignancy oddly double-edged. Like the year 1848 so often mentioned in connection with it, 1968 has cast a long shadow of intense expectations and painful disappointments.

It was a year of endings and beginnings. The generation that was coming of age was born after World War II. These young men and women, whether invigorated by the relative comforts of the ’50s and ’60s, covetous of them, or suspicious of them, found their sense of identity in overturning proprieties and moral codes, in attacking the perceived contradictions of capitalist society, in seeking an antiauthoritarian culture. In 1968, scattered sparks of revolutionary expectations ignited in student protests around the world. On the barricades

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