PRINT October 1989


I propose a feast for the eyes, sumptuous, multiplicitous, and occasionally disgusting.

THIS IS A BANQUET of works of art that include milk, rice, bread, vegetables, piles of fat, carpets of pollen, sheets of wax or chocolate, shit, urine, blood, and assorted rots. Not all dishes lend themselves to this table; only those servings that are both excessive and incessantly replenished, for this profusion of substance asserts the commodiousness of contemporary appetites, both for pleasure and transgression.

A veritable buffet of organic substances has been appropriated into visual art practice of the past thirty years; most commonly in the context of temporary site-specific installations or performances, but also in painting, printmaking, drawing, and sculpture. Of course, the mediums of art have always included the stuff of the body and its sustenance—the gloss of egg tempera, adornments of all

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