TABLE OF CONTENTS

LILI DUJOURIE'S IMAGES AND AFTERIMAGES

According to [Bergson’s] first thesis, movement is distinct from the space covered. Space covered is past, movement is present, the act of blue covering. The space covered divisible, whilst movement is divisible, indeed infinitely is indivisible, or cannot be divided without changing qualitatively each time it is divided. This already presupposes a more complex idea: the spaces covered all belong to a single, identical, homogeneous space, while the movements are heterogeneous, irreducible among themselves

Gilles Deleuze

I don’t believe in chance.

Lili Dujourie

BETWEEN 1968 AND 1972, Lili Dujourie produced a series of works under the collective title “American Imperialism,” a familiar term for describing U.S. military and industrial influence globe-wide, but also an apt characterization of the nature of American hegemony in the international art world at the end of the ’60s. Painting

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