TABLE OF CONTENTS

BELIEVE IT OR NOT

American Myths

RETRACT OUR NUCLEAR UMBRELLA and the U.S.A. stands revealed as a gadget-addicted, debt-ridden purveyor of guns, movies, and cigarettes—the stuff that dreams ore mode of, or stardom. Nobody wants U.S. steel, but a billion people watch the Oscar telecast. Our icons still emblazon the world’s T-shirts: Marilyn, Elvis, Rambo . . . New York?

Cultural capital shifts at the end of a war, and in the aftermath of the big cold one, one might well wonder whether New York is still that undisputed “world city” Le Corbusier detected in the late 1930s. Certainly the mysterious boom that followed the economic collapse of 1975 (a boom during which even the infinitely recalcitrant Lower East Side was scarred by gentrification) is long since over, having ended with the 1987 stock market crash. That this one-dimensional revival had lost the capacity to merchandize itself was reinforced by the abject failure

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW at the special holiday rate of $45 a year—70% off the newsstand price. You’ll receive the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.