TABLE OF CONTENTS

March 2000

list view

Cover: Ed van der Elsken, from “Paris, France,” 195054, black-and-white photograph. Included in Love on the Left Bank (Amsterdam: Besige Bij, 1956). Inset: Mary Harron, American Psycho (detail), 2000, production still from a color film in 35 mm, 98 minutes. Patrick Baterman (Christian Bale).

March 2000, Vol. 38, No. 7

columns features reviews

COLUMNS

LETTERS

LETTERS

PASSAGES

Justin Spring on Paul Cadmus

PASSAGES

Carlo McCormick on Martin Wong

FILM

Dennis Cooper on American Psycho

FILM

Peter Bowen on Sundance 2000

BOOKS

David Rimanelli on Julian Stallabrass's High Art Life

NEWS

Adam Lehner on Lawrence Rinder

NEWS

James Surowiecki on eToys vs. etoy

Letters

Saul Anton on Other Rooms, Other Voices

Marc Lafia

David Robbins

columns features reviews

CAFÉ NOIR: THE PHOTOGRAPHY OF ED VAN DER ELSKEN

Vince Aletti

YILMAZ DZIEWIOR TALKS WITH ANNELIE LÜTGENS

1000 WORDS: THOMAS HIRSCHHORN

Daniel Birnbaum

THE MAX FACTOR: WHITNEY BIENNIAL 2000

Katy Siegel, Julie Caniglia, Carlos Basualdo,

Michael Auping

Jane Farver

Hugh Davies

Andrea Miller-Keller

Lawrence Rinder

Valerie Cassel

JESS: THE MOUSE’S TALE, 1951

Robert Glück

OPENINGS: FRANCESCO VEZZOLI

Richard Flood

columns features reviews

Robert Simon on Ger van Elk

Susie Kalil on “Nic Nicosia: Real Pictures 1979–1999”

Ronald Jones on “After The Wall: Art And Culture In Post-Communist Europe”

David Levi Strauss on Daido Moriyama

New York

Houston

Michael Odom on Miltos Manetas

Philadelphia

Eileen Neff on Tristin Lowe/Richard Harrod

San Francisco

Maria Porges on Sono Osato

Los Angeles

Rome

Massimo Carboni on Dugu Choegyal Rimpoche

Paris

Miriam Rosen on Abbas Kiarostami

Geneva

Elizabeth Janus on Elke Krystufek

Düsseldorf

Sabine B. Vogel on Chris Reinecke

Cologne

Yilmaz Dziewior on Björn Dahlem

Hamburg

Wolf Jahn on Jochen Flinzer

London

Rachel Withers on Francis Alÿs

Dublin

Caoimhín Mac Giolla Léith on Kathy Prendergast

Sydney

Charles Green on Callum Morton