PRINT September 2001



FIRST THE OUTLINE OF PINES . . . oak and sumac darkened . . . backlit by the full moon rising in capricornus . . . talk radio company.. . coffee on the tailgate. . . the gloaming twilight to the west.” —Atlas of Lunar Drawings, 1996

A lot of the pleasure in Russell Crotty's pencil-drawn vision of outer space is the commonplace grandeur of It. He draws and captions in “bad poetry”— sky we know, a contemporary LA sky with the problems of light pollution and the toll of encroaching development and the weirdness of nature itself jutting into the horizon: radio towers, ponderosas and palm trees. Crotty's vision moves through large-scale drawings of individual “items”: nebulae or comets that somehow look like a dumbbell or a creepy pumpkin (Crotty admits to giving resemblances a push); alternatively he glues his skies on Lucite spheres that hang like planets from the ceiling of a

to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.