TABLE OF CONTENTS

September 2002

list view

Cover: Steve McQueen, Western Deep, 2002, still from a color film in 8 mm, 25 minutes. From Documenta11. Inset: Carroll Dunham, First Invisible Killer (detail), 2000, acrylic on linen, 79 x 73". From Fall Preview.

September 2002, Vol. 41, No. 1

columns previews features reviews

COLUMNS

LETTERS

LETTERS

Left to right: Richard Prince, The Model Stella Tennant with a Neighbor’s ’55 Wedding Cake Harley, 1999, color photograph. Richard Prince, Cartoon, 2002, acrylic on canvas, two panels, 12 x 16'.

ENTRIES

A monthly diary by David Rimanelli

Henri Michaux, Untitled (mescaline drawing), 1956, india ink on paper, 12 5/8 x 9 7/16".

BOOKS

Richard Howard on Richard Howard on Henri Michaux

BOOKS

Arthur C. Danto on The Andy Warhol Catalogue Raisonné

NEWS

Steven Henry Madoff on Tate Modern’s new director

Frank Moore, Hospital, 1992, oil on wood with handmade frame, 49 x 58".

PASSAGES

Andrew Solomon on Andrew Solomon on Frank Moore

MUSIC

Andrew Hultkrans on Wilco

top ten

AA Bronson

columns previews features reviews

Upside Down: Pastoral Scene (detail), 2002.

Focus Preview

Sam Durant

Fall Exhibitions

Forty shows worldwide

Tadao Ando, Modern Art Museum of Fort Worth, 2002, digital rendering.

News

the new Modern Art Museum of Fort Worth

Travel Brief

Exhibitions on the road

World Report

the Turner Prize

Lucian Freud, Head of Leigh Bowery, 1991, oil on canvas, 20 x 16"

Vault

Lucian Freud’s Constable

columns previews features reviews

James Meyer

PLATFORM MUSE: Documenta11

Linda Nochlin, Tom Holert, Matthew Higgs, and James Meyer

Matthew Higgs

Tom Holert

Linda Nochlin

CENTERFOLD: MODERN PROCESSION

Francis Alÿs

Robert Smithson, Spiral Jetty, 1970.

NON-SITE UNSEEN: HOW I SPENT MY SUMMER VACATION

Nico Israel

1000 WORDS: OLIVER PAYNE AND NICK RELPH

Michael Wilson

MASTER OF CEREMONY: MATTHEW BARNEY

Daniel Birnbaum

RADIANT DISPERSION: ROBERT RYMAN’S PHILADELPHIA PROTOTYPE, 2002

Jeffrey Weiss

OPENINGS: OLAV WESTPHALEN

Saul Anton

columns previews features reviews

Joan Mitchell, Clearing, 1973, oil on canvas, triptych, 9' 2 1/4“ x 19' 8”.

Brenda Richardson on Joan Mitchell

Carol Armstrong on “Mel Bochner: Photographs 1966–1969”

Left: Larry Rivers, The Greatest Homosexual, 1964, oil, collage, and pencil on canvas, 80 x 61“. Right: Larry Rivers, Washington Crossing the Delaware, 1953, oil, graphite, and charcoal on linen, 83 x 111”.

Glenn Dixon on Larry Rivers

Kate Bush on Manifesta 4

Margaret Sundell on Douglas Huebler

New York

Boston

Francine Koslow Miller on Kojo Griffin

Philadelphia

Eileen Neff on William Larson

Chicago

James Yood on Catherine Sullivan

Los Angeles

Mexico City

Yishai Jusidman on Miguel Ventura

Milan

San Gimignano, Italy

Francesca Pasini on Kendell Geers

Paris

Guitemie Maldonado on Rémy Hysbergue

Vienna

Munich

Justin Hoffmann on Olaf Metzel

Mannheim

Noemi Smolik on Florian Slotawa

Cologne

Nina Möntmann on “Ökonomien der Zeit”

Brussels

Anne Pontégnie on Charlemagne Palestine

London

Glasgow

Lars Bang Larsen on Henry VIII’s Wives

Hiroshima

Marco Meneguzzo on Yoshitomo Nara