PRINT January 2003


We were riding on the absurdity of the situation—that we were three nobodies, had no money, had no fame, and didn’t know anybody in the art world. But it was perfect—we were totally free.

—Edit deAk, 1974

EDIT DEAK AND WALTER ROBINSON may shudder to hear it, but talking to them recently about Art-Rite I accidentally thought of that old movie in which Judy Garland and Mickey Rooney, teenaged and rural, stage a Broadway-type musical in a barn: “Hey kids, let’s put on a show!” But since the magazine deAk and Robinson published and edited, and wrote and designed and typeset and distributed, out of their downtown-Manhattan lofts between 1973 and 1978 was so open, democratic, and fresh-faced, they may think the parallel fine, or at least poetic justice: They and a third editor, Joshua Cohn, staged an exhilarating deconstruction (if an exhilarating deconstruction isn’t a contradiction in terms)

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