“IT WAS A BIT LIKE GOING to the zoo and watching Guy the Gorilla in drag.” That’s how Cerith Wyn Evans recalls Leigh Bowery’s weeklong London performance at Anthony d’Offay Gallery in 1988. Bowery, each day in a different costume of his own design, appeared behind a one-way mirror, with an Empire divan on which to perch, pose, or recline. Visitors saw him, but he saw only himself, performed for his own reflection. Footage of the event figures prominently in The Legend of Leigh Bowery (2002), Charles Atlas’s recently unveiled documentary, and the spooky, otherworldly spell that Bowery casts is undeniable. The zoo reference nails it. With rivulets of iridescent purple glue spilled like blood from the top of his shaved head and a silky lime feathered bodice, Bowery appears to be an ostrich in human form. Black-spotted faux fur covering his face and upper body, he is transformed into an alien
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