Super Flat, catalogue of a traveling exhibition curated by Takashi Murakami, 2000.

Like the answered prayers of a cargo cult, a consignment of shiny robots, pneumatic girls, and celluloid explosions landed at LA MoCA’s newest satellite gallery at the Pacific Design Center in West Hollywood in January 2001, as if dropped from Japanese supply planes. “Superflat,” which would later descend on Minneapolis and Seattle, was the brainchild of artist-impresario Takashi Murakami, who had honed his curatorial concept in two shows at Parco department stores in Nagoya and Tokyo’s Shibuya district the year before. Though the American incarnation was bigger (and included some different artists and works), it was primarily for the Japanese exhibitions that the bilingual Super Flat catalogue had been conceived and printed. The same year that the show traveled stateside, Murakami exhibited his own line of superflat art in Paris, Boston, New York (at Marianne Boesky Gallery and

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