TABLE OF CONTENTS

film

The Ister

RIVERS HAVE no poetic power anymore, German filmmaker Hans-Jürgen Syberberg tells us in David Barison and Daniel Ross’s 2004 documentary The Ister (now available on video). They have lost their mythic resonance and become part of the “machine” of “daily life.” These days, Syberberg asserts, nobody would create a major work of art about a river, the way Richard Wagner or Friedrich Hölderlin did. Syberberg’s musings appear at the very conclusion of Barison and Ross’s three-hour philosophical voyage. The film traces the Danube’s full course, from the Black Sea all the way to its source in southern Germany. Part rhapsodic journey replete with moments of great beauty, part tedious educational program rife with digressions on politics and history, it is not the great work of art that would prove Syberberg wrong. But it is certainly an original undertaking: a cinematic collage that turns on

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