TABLE OF CONTENTS

ALL THINGS BEING EQUAL: ISA GENZKEN

With the unveiling of major new bodies of work at the 2004 Carnegie International in Pittsburgh and at her gallery in New York this year, ISA GENZKEN stretched the limits of an already-diverse oeuvre and, indeed, the very boundaries of sculpture today. To gain perspective on her innovations and influence, past and present, Artforum offers a two-part focus. First, Benjamin H. D. Buchloh, author of a seminal 1992 essay on Genzken’s work, traces the shifts in the artist’s production since she first arrived on the scene in ’70s Germany. Then, for the latest installment of “In Conversation,” collaborator and longtime friend WOLFGANG TILLMANS visits Genzken’s Berlin studio to discuss their current projects, the radicality of realism, and how to avoid the “already known.”

TO SITUATE SCULPTURE between two mutually exclusive discursive conventions, or between two equally intolerable governing

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW at the special holiday rate of $45 a year—70% off the newsstand price. You’ll receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the November 2005 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.