PRINT January 2006

Cao Fei

CAO FEI IS A KEY MEMBER of the vibrant new generation of Chinese artists emerging in the early twenty-first century, a time marked by widespread optimism similar to that which existed in the US in the 1950s and ’60s. As curator Hou Hanru has remarked, most of them came of age in a world of electronic advertising and imported entertainment ranging from Taiwanese television to American rap. Although influenced in their embrace of a variety of media by Chinese artists in exile, such as Huang Yong Ping in Paris or Cai-Guo Qiang in New York, the members of the younger generation have chosen to remain at home, where they have capitalized on the new availability and ease of use of digital video technologies. Working outside the context of state-controlled TV and film, these figures (including Cao Fei, Yang Fudong, and Kan Xuan) have forged interdisciplinary and often collaborative projects to

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