TABLE OF CONTENTS

February 2006

list view

Michel Majerus, what looks good today may not look good tomorrow (detail), 1999, acrylic on canvas, 10' x 11' 10 1/2".

February 2006, Vol. 44, No. 6

columns features reviews

COLUMNS

Left: Arman with Home Sweet Home, Paris, 1960. Photo: Shunk-Kender. Right: Raymond Hains, Paris, ca. 1960. Photo: Harry Shunk.

PASSAGES

Hannah Feldman on Raymond Hains and Arman

PASSAGES

Justin Spring on Ismail Merchant

BOOKS

Yve-Alain Bois on the Russian Avant-garde

FILM

J. Hoberman on Carlos Reygadas

Biljana Đurđević, Poslednji dani Deda Mraza (The Last Days of Santa Claus), 2001, oil on linen, 70 7/8 x 78 3/4".

ON SITE

Tom Holert on Contemporary Art in Belgrade

top ten

Matt Keegan

NEWS

Caroline A. Jones on Globalism and the Venice Biennale

columns features reviews

SEARCH ENGINE: THE ART OF MICHEL MAJERUS

Daniel Birnbaum

Catherine Sullivan, The Chittendens (Misfire #4, Cinematically Distant), 2005, color photograph, 11 x 48 1/2".

1000 WORDS: CATHERINE SULLIVAN

Tim Griffin

Phil Collins, they shoot horses, 2004, stills from a two-channel digital video, 7 hours.

THE SOCIAL TURN: COLLABORATION AND ITS DISCONTENTS

Claire Bishop

KEITH SANBORN AND GREIL MARCUS ON THE FILMS OF GUY DEBORD

Guy Debord, La Société du spectacle (The Society of the Spectacle), 1973, stills from a black-and-white film in 35 mm, 90 minutes.

Keith Sanborn

Guy Debord, La Société du spectacle (The Society of the Spectacle), 1973, stills from a black-and-white film in 35 mm, 90 minutes.

Greil Marcus

ELECTIVE AFFINITIES: THE ART OF EDGAR ARCENEAUX

Jeffrey Kastner

OPENINGS: MATTHEW BRANNON

Jan Tumlir

HARRY DODGE AND STANYA KAHN

Rachel Kushner

columns features reviews

Briony Fer on “Dada”

Two views of Robert Gober, Untitled, 1997, leather, wood, forged iron, cast plastics, bronze, silk, satin, steel, beeswax, human hair, brick, fiberglass, urethane, paint, lead, motors, and water, overall: 10' 2 1/2“ x 8' 8” x 6' 3“; aboveground: 35 1/2 x 35 1/2 x 40”. Photo: Sven Kahns.

Carrie Lambert-Beatty on “Part Object Part Sculpture”

Hélio Oiticica, Eden, 1966–69/2005, mixed media, dimensions variable.

Irene Small on “Tropicália”

Tim Griffin on the Lyon Biennale

Frankfurt

Lars Bang Larsen on “Summer of Love”

Washington, DC

Nord Wennerstrom on Sean Scully

San Francisco

Los Angeles

Madrid

Pablo Llorca on Alicia Martín

Milan

Giorgio Verzotti on Giuseppe Gabellone

Rome

Marco Meneguzzo on Antonio Riello

Venice

Elizabeth Janus on Cameron Jamie

Paris

Seoul

Shinyoung Chung on Noh Sang-Kyoon

Berlin

Vilnius

Liutauras Psibilskis on IX Baltic Triennial of International Art

Antwerp

Jos Van den Bergh on Kati Heck

Amsterdam

Sven Lütticken on Melvin Moti

London

Liverpool

T. J. Demos on Walid Raad/The Atlas Group

New York

Boston

Francine Koslow Miller on Joan Snyder

Chicago

James Yood on Ken Fandell