TABLE OF CONTENTS

PRINT April 2006

DOUBLE OR NOTHING: THE ART OF DOUGLAS HUEBLER

IN RETROSPECT, Douglas Huebler seems to have framed the scope of his work (or at least the general reception of it) with two irreconcilable declarations, the first being Conceptual art’s most oft-quoted pronouncement, “The world is full of objects, more or less interesting; I do not wish to add any more.” Despite its laconic tone, Huebler’s remark, initially put forward in a 1969 artist’s statement for a show at New York’s Seth Siegelaub Gallery, mercilessly lampoons the expectation that artists be prolific. It implies a cessation of production, not because the world is particularly wonderful, but simply because it meets a minimum standard: “more or less interesting.” It hints at a certain ecology as well. To make more objects—particularly, boring art objects—would be redundant. Why bother?

As Huebler later complained, these words would come back to haunt him. During his lectures someone

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