TABLE OF CONTENTS

ALLAN KAPROW: LIFE LIKE ART

Clockwise from top: Allan Kaprow, ca. 1978. Allan Kaprow, Days Off: A Calendar of Happenings, 1968, photo offset on newsprint, staples, shrink-wrap, 10 1/2 x 15 3/8". © Hauser and Wirth Zürich London. Invitation for Allan Kaprow's Courtyard, 1962. © Museum of Modern Art Library.

Allan Kaprow’s death this spring at age seventy-eight, a profound loss by any measure, is all the more impropitious given the recent upsurge of interest in his work and the growing awareness of his contemporary relevance. While his happenings gained widespread notoriety in artistic circles and mass culture alike during the ’60s and ’70s, his evolving critical writings and activities both then and in later years resonate strongly within the context of today’s vital considerations of performance and spectatorship, aesthetics and politics, and private experience in an age of spectacularized commerce. Taking pause to reflect on Kaprow’s legacy, Artforum asked art historians Judith Rodenbeck and Jeff Kelley, as well as artists Lucas Samaras, Suzanne Lacy, and Paul McCarthy, to look again at the “un-art” and life of this pivotal figure. Those contributions are included here, along with

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the Summer 2006 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.