TABLE OF CONTENTS

October 2006

list view

Brice Marden, 6 Red Rock 1 (detail), 2000–2002, oil on linen, 107 x 75".

October 2006, Vol. 45, No. 2

columns features reviews

COLUMNS

PASSAGES

Linda Norden, Richard Jackson, Paul McCarthy, and Daniel Birnbaum on Jason Rhoades

Gustave Courbet, L’atelier du peintre, allégorie réelle determinant une phase de sept années de ma vie artistique (The Painter’s Studio: A Real Allegory Summarizing Seven Years of My Life as an Artist), 1855, oil on canvas, 11' 10“ x 19' 8”. © Art Resource, New York.

BOOKS

Christopher S. Wood on Gabriele Guercio and Joachim Pissarro

FILM

Gary Indiana on Kiyoshi Kurosawa

Ndary Lô, Le Refus de Rosa Parks (Rosa Parks’s Refusal) (detail), 2005, mixed media, dimensions variable.

ON SITE

Robert Storr on Dak’Art 2006

SOUND

Damon Krukowski on Giacinto Scelsi

Jackson Pollock, Portrait and a Dream, 1953, oil on canvas, 4' 10 1/2“ x 11' 2 3/4”. © 2006 Artists Rights Society (ARS), New York.

SLANT

Jordan Kantor on Jackson Pollock’s late work

top ten

Aleksandra Mir

columns features reviews

BRICE MARDEN AND CHRIS OFILI IN CONVERSATION

SUFFICIENT GROUNDS: THE ART OF BLAKE RAYNE

Johanna Burton

Stan Douglas, Klatsassin, 2006, still from a color video projection, 840 variations, each with an average duration of approximately 5 minutes, total running time 73 hours. Thief (Michael Eklund).

1000 WORDS: STAN DOUGLAS

Michael Ned Holte

OUT OF BEIRUT

T.J. Demos, Bernard Khoury, Lamia Joreige, Walid Raad, Walid Sadek, Christine Tohme

Lamia Joreige, Here and Perhaps Elsewhere, 2003, still from a color videos, 54 minutes.

T. J. Demos

Bernard Khoury, BO18, 1998, Beirut.

Bernard Khoury

Lamia Joreige

Walid Raad and Walid Sadek

Christine Tohme

BORDER CROSSINGS: A PORTFOLIO BY YTO BARRADA

Nico Israel

OPENINGS: KEREN CYTTER

Barry Schwabsky

columns features reviews

View of “The Société Anonyme: Modernism for America,” UCLA Hammer Museum, Los Angeles, 2006. From left: Jacques Villon, In Memoriam, 1919; Juan Gris, Journal et compotier (Newspaper and Fruit Dish), 1916; Constantin Brancusi, Little French Girl (The First Step III), ca. 1914–18; Morton Livingston Schamberg, Painting (formerly Machine), 1916; Joseph Stella, Brooklyn Bridge, 1918–20; Francis Picabia, Prostitution universelle (Universal Prostitution), 1916–17; Man Ray, Lampshade, 1921; Georges Ribemont-Dessaignes, Jeune femme (Young Woman), 1919; Heinrich Campendonk, Die rote Katze (The Red Cat), 1926. Photo: Joshua White.

Nancy J. Troy on “The Société Anonyme”

Hala Elkoussy, Peripheral Landscape #5, Al Warraq, 2004, ink-jet print on vinyl, dimensions variable.

James Meyer on “Snap Judgments”

Romy Golan on “Il Modo Italiano”

Yve-Alain Bois on “Undercover Surrealism”

New York

Boston

Francine Koslow Miller on Henrik Håkansson

Chicago

James Yood on Richard Rezac

Washington, DC

Nord Wennerstrom on Bradley McCallum and Jacqueline Tarry

Atlanta

Philip Auslander on Kalup Linzy

San Francisco

Glen Helfand on Brian Ulrich

Newport Beach, CA

Jan Tumlir on Adrià Julià

Los Angeles

São Paulo

Lucrecia Zappi on Alfredo Volpi

São Paulo/Vienna

Alexandre Melo on “Neobarroco”/João Pedro Vale

Buenos Aires

María Gainza on Diego Bianchi

Madrid

José Luis Brea on Bleda and Rosa

Rome

Massimo Carboni on Matthias Hoch

Modena, Italy

Alessandra Pioselli on Adrian Paci

Paris

Guitemie Maldonado on “Hommage à Martin Barré”

Iași, Romania

Astrid Wege on Periferic 7/Focusing Iași: Biennial for Contemporary Art

Hamburg

Nina Möntmann on Yael Bartana

Berlin

Jennifer Allen on Pash Buzari

Ghent, Belgium

Wouter Davidts on Willem Oorebeek

London

Sydney

Charles Green on Zones of Contact: 2006 Biennale of Sydney

Osaka

Midori Matsui on Chu Enoki