PRINT October 2006


BRICE MARDEN CAME OF AGE amid the artistic ferment of 1960s New York, a context in which many eyed with suspicion the age-old practice of applying paint to a two-dimensional rectangular surface. Yet for more than four decades, he has remained unflinchingly committed to his medium and, largely, to abstraction, creating the singular body of work that will be celebrated this month in a major retrospective at New York’s Museum of Modern Art. To mark the occasion, Artforum invited Marden and Chris Ofili to offer the latest installment in the magazine’s series of conversations between artists—this, the first between two painters. While Marden and Ofili may initially seem an odd couple of sorts, subtle affinities reveal themselves in the artists’ carefully calibrated palettes, lithe arabesques, and finely layered surfaces. Above all, though, it is their obsessive commitment to the practice and

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