TABLE OF CONTENTS

February 2007

list view

Cover: Amy Sillman, The Plumbing (detail), 2006, oil on canvas, 69 x 80".

February 2007, Vol. 45, No. 6

columns features reviews

COLUMNS

PASSAGES

Daniel Birnbaum, Ann Goldstein, and Daniel Buren on Pontus Hultén

Robert Altman in 1993 at the 50th Venice film festival, where he received first prize for Short Cuts. Photo: Magnum/Nikos Economopoulos.

PASSAGES

Michael Tolkin on Robert Altman

BOOKS

Arthur C. Danto on T. J. Clark

Ludwig Mies van der Rohe, S. R. Crown Hall, 1950–56, Chicago. Photo: Todd Eberle.

ARCHITECTURE

Sean Keller on Crown Hall and the Yale University Art Gallery

View of “Josef Hoffmann: Interiors, 1902–1913,” 2006, Neue Galerie, New York. Re-creation of Biach bedroom, 1904. Photo: John Gilliland.

DESIGN

Josiah McElheny on Josef Hoffmann

ON SITE

Kyle Bentley on Public-Holiday Projects

ON SITE

Sarah Boxer on Saul Steinberg

top ten

Katy Moran

columns features reviews

THE ELEPHANT IN THE PAINTING: THE ART OF AMY SILLMAN

Linda Norden

ARCHITECTURE-EYE: DILLER SCOFIDIO + RENFRO

Hal Foster

1000 WORDS: MIRANDA JULY

Alex Mar

Ryan Gander, Is This Guilt in You Too(Cinema Verso) (detail), 2005, cinema installation featuring the film 24 Seconds Elapsed Between the First and Last Shot, 56 minutes 51 seconds. Installation view, former library next to Whitechapel Art Gallery, London, 2006. Photo: Louise Hayward.

DENIED PAROLE: THE ART OF RYAN GANDER

Douglas Fogle

David Lynch, Mulholland Drive, 2001, still from a color film in 35 mm, 145 minutes. Betty Elms/Diane Selwyn (Naomi Watts).

“A BRIGHT, GUILTY WORLD”: DAYLIGHT GHOSTS AND SUNSHINE NOIR

J. Hoberman

THERE I WAS . . . A PORTFOLIO BY COLLIER SCHORR

Tim Griffin

OPENINGS: MATT SAUNDERS

Lisa Turvey

Pablo Bronstein, Plaza Minuet, 2006. Installation view, Tate Britain, London.

OPENINGS: PABLO BRONSTEIN

Martin Herbert

columns features reviews

View of “Allan Kaprow: Art as Life,” 2006, Haus der Kunst, Munich. Photo: Wilfried Petzi.

John C. Welchman on Allan Kaprow

Jaleh Mansoor on Lucio Fontana

Christian Rattemeyer on the 27th São Paulo Bienal

View of “The Uncertainty of Objects and Ideas: Recent Sculpture,” 2006, Hirshhorn Museum and Sculpture Garden, Washington, DC. From left: Mark Handforth, Trashcan Snake, 2005. Mark Handforth, Northern Star, 2005. Mark Handforth, Mobile (Green, Yellow and White), 2002. Mark Handforth, I-Beam, 2002.

Michelle Kuo on “The Uncertainty of Objects and Ideas”

New York

Washington, DC

Chicago

James Yood on Kasarian Dane

San Francisco

Los Angeles

Toronto

Dan Adler on Adrienne Spier

Lisbon

Miguel Amado on Rigo 23

Madrid

Pablo Llorca on Miguel Lorente

Turin, Italy

Milan

Giorgio Verzotti on Paola Pivi

Paris

Guitemie Maldonado on Didier Marcel

Zurich

Valérie Knoll on Lucy Skaer/Anita Di Bianco

Vienna

Sabine B. Vogel on Lois Renner

Antwerp

Wouter Davidts on Joëlle Tuerlinckx

Cologne

Noemi Smolik on Ralf Ziervogel

Berlin

London

Leeds, UK

Michael Archer on Imi Knoebel

Seoul

Shinyoung Chung on Do-Ho Suh