PRINT December 2007

Jessica Morgan


1 Dominique Gonzalez-Foerster, “Expodrome” (Musée d’Art Moderne de la Ville de Paris/ARC, Paris) A generation of artists who have long been concerned with questioning the status quo of exhibition making—and therefore largely steered clear of standard-fare solo or thematic shows—have now arrived at a point in their careers when they are being invited to present “comprehensive retrospectives” of their work in major art-world institutions. Gonzalez-Foerster wisely resisted lapsing into convention with her stunning journey through the unusual spaces of the Musée d’Art Moderne de la Ville de Paris, in an exhibition that was organized by Angeline Scherf and included many collaboratively made works. With the sound of falling rain (Promenade, 2007), a topographic map representing various metropolises at night (Panorama, 2007), a son et lumière environment (Cosmodrome, 2001),

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