TABLE OF CONTENTS

March 2008

list view

Cover: Zoe Leonard, Analogue (detail), 1998–2007, one of approximately 400 black-and-white and color photographs, each 11 x 11".

March 2008, Vol. 46, No. 7

columns features reviews

COLUMNS

Erik Bulatov, Trademark, 1986, oil on canvas, 78 3⁄4 x 78 3⁄4".

EDITOR’S LETTER

Tim Griffin on SOCIAL REALITIES

Burt Glinn, Back Table at the Five Spot, 1957, black-and-white photograph. Back table, from left: Frank O’Hara, Larry Rivers, and Grace Hartigan.

BOOKS

Barrett Watten on Lytle Shaw’s Frank O’Hara: The Poetics of Coterie

FILM

James Quandt on Alexander Sokurov’s Alexandra

Left: Correggio, Portrait of a Young Man, ca. 1525, oil on wood, 23 1⁄4 x 17 5⁄12". © 2008/Réunion des Musées Nationaux, Paris/Art Resource, New York. Right: Gus Van Sant, Paranoid Park, 2007, still from a color film in 35 mm, 90 minutes. Alex (Gabe Nevins).

FILM

Amy Taubin on Gus Van Sant’s Paranoid Park

FILM

Sven Lütticken on Werner Herzog

ON SITE

Brian Sholis on regional nonprofits

SOUND

Damon Krukowski on Kenneth Goldsmith and UbuWeb

Exterior of the Massachusetts Museum of Contemporary Art during the installation of the unfinished work Training Ground for Democracy by Christoph Büchel, North Adams, 2006. Photo: John Carli.

SLANT

Virginia Rutledge on Christoph Büchel and Mass MoCA

top ten

Nick Mauss and Ken Okiishi

columns features reviews

MIRROR DISPLACEMENTS: THE ART OF ZOE LEONARD

Mark Godfrey

MUSIC OF THE SPHERES: REFLECTIONS ON KARLHEINZ STOCKHAUSEN

Stockhausen performing at Expo ’70, West German Pavilion, Osaka, Japan, 1970. Photo: Westdeutscher Rundfunk (WDR).

ROBIN MACONIE

IRVINE ARDITTI

MORTON SUBOTNICK

PIERRE-LAURENT AIMARD

LA MONTE YOUNG

MARYANNE AMACHER

BJÖRK

JEROEN DE RIJKE/WILLEM DE ROOIJ: A PORTFOLIO

Pamela M. Lee

SOTS ART: SIGNS OF THE TIMES

BORIS GROYS

Komar & Melamid, Catalogue of Super ObjectsSuper Comfort for Super People, 1975–76, two of thirty-six color photographs, each 10 x 8"

MARGARITA TUPITSYN

1000 WORDS: PAUL SIETSEMA

Ali Subotnick

OPENINGS: KARLA BLACK

Michael Archer

Matias Faldbakken, Supernote (PN-14342) (detail), 2007, triptych, ink on paper, each 17 11⁄12 x 42 11⁄12".

MATIAS FALDBAKKEN

Christopher Bollen

columns features reviews

Sarah K. Rich on “Be-Bomb”

View of “The World as a Stage,” 2007, Tate Modern, London. Foreground: Jeppe Hein, Rotating Labyrinth, 2007. Background: Rita McBride, Arena, 1997–2006.

Martin Herbert on “The World as a Stage” and “A Theatre Without Theatre”

Anne Ellegood on the 6th Mercosul Bienal

New York

Ridgefield, CT

Michael Wilson on Marti Cormand

Boston

Francine Koslow Miller on Holly Coulis

Chicago

Ferndale, MI

Christopher Bedford on Ivin Ballen

San Francisco

Glen Helfand on Paul Kos

Los Angeles

Christopher Miles on Terri Phillips

Toronto

Dan Adler on Graham Gillmore

London

Paris

John-Paul Stonard on “The Third Mind”

Amsterdam

Marek Bartelik on “Kiosk7: OudWestKiosk”

Copenhagen

Lars Bang Larsen on Albert Mertz

Munich

Catrin Lorch on Roman Ondak

Karlsruhe, Germany

Catrin Lorch on Matts Leiderstam

Vienna

Brigitte Huck on Matt Mullican

Geneva

Hans Rudolf Reust on Didier Rittener

Milan

Giorgio Verzotti on Daniele Innamorato

Venice

Alessandra Pioselli on Georges Adéagbo

Rome

Francesco Stocchi on Pieter Hugo

Naples

Ida Panicelli on Luciano Fabro

Madrid

Pablo Llorca on Irene van de Mheen

Barcelona

Martí Peran on Wilfredo Prieto

Athens

Catherine Cafopoulos on Maria Zervou

Buenos Aires

Maria Gainza on Matías Duville