PRINT March 2008


IT IS AN HONOR to write about Karlheinz Stockhausen, since he was my hero in the late ’50s. I was perhaps predisposed to twelve-tone technique because my high school harmony teacher, Clyde Sorenson, had studied at UCLA with Arnold Schönberg. I also took classes at LA City College from 1953 until 1957 under Leonard Stein, the noted pianist and former assistant to Schönberg.

Leonard was very kind to me and took me under his wing. He selected which recordings of Debussy, Ravel, Stravinsky, Bartók, Schönberg, Berg, and Webern I should listen to and pulled them from the music department library, along with scores for my study. He literally introduced me to contemporary music, and I began to study composition and counterpoint with him privately. He was my most important composition teacher until 1970, when I became a disciple of Pandit Pran Nath and took up my lifelong study of Indian classical

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