TABLE OF CONTENTS

ON SITE

“Experiment Marathon Reykjavík”

INTRODUCING “EXPERIMENT MARATHON REYKJAVÍK,” a two-day event that took place this past May in the Hafnarhús, the Icelandic capital’s contemporary art museum, artist Olafur Eliasson described the occasion as “a parallel parliament that includes disagreement, a parallel Western democracy.” Presented to a near-capacity audience, this alternative legislature was about to become manifest in the form of thirty-six fifteen-minute-long presentations from artists, architects, scientists, and theoreticians. First, however, Eliasson’s collaborator in organizing the event, curator Hans Ulrich Obrist, reframed this ostentatious description, emphasizing the project’s incursion into terra incognita. At a historical juncture when, Obrist ventured, “all kinds of radical gallery gestures have been tested,” symposia offered a comparatively unexplored format.

This is less and less the case, admittedly. As

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW at the special holiday rate of $45 a year—70% off the newsstand price. You’ll receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the September 2008 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.