TABLE OF CONTENTS

EDITOR’S LETTER

CRITICAL MOMENTS

New York Stock Exchange closing numbers, April 9, 2009. Photo: Lucas Jackson/Reuters.

SEPTEMBER MARKS A FULL YEAR since our encounter with economic cataclysm prompted many in the art world to suggest that seemingly retardataire notions of critique, resistance, and transformation—often easily dismissed as abstract or archaic—were now not so highfalutin. Rather, it was suggested, at a historical juncture when dynamics in finance were clearly rattling the very foundations of the global economy, even the most speculative conceits of art assumed a pragmatic air. Such dizzying questions as “How do we want to be governed?”—to cite just one matter raised in this publication around that time (by Charles Esche, in reference to Documenta 12)— were seemingly suited all too well for our hour of societal vertigo. (That a US presidential election coincided with the financial meltdown just amplified a sense of these issues’ timeliness.) As a colleague once said

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW at the special holiday rate of $45 a year—70% off the newsstand price. You’ll receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the September 2009 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.