TABLE OF CONTENTS

ON THE COMMONS

This month, Harvard University Press unveils Commonwealth, the latest book by Michael Hardt and Antonio Negri, whose Empire (2000) and Multitude (2004) have, arguably, been the dominant works of political philosophy of the new century. In its October issue, Artforum presents two extended excerpts from the much-anticipated final volume of the Empire trilogy in advance of its arrival in bookstores. Curator Okwui Enwezor sets the stage, with a discussion of Hardt and Negri’s profound if diffuse impact on artistic practice and on the art world more broadly. Enwezor’s introduction has been reproduced below. For excerpts from Commonwealth, pick up the October issue of Artforum.

Thomas Hirschhorn, Flugplatz Welt/World Airport, 1999, mixed media. Installation view, Renaissance Society, Chicago, 2000.

THE WORLD IS FULL OF ALL SORTS OF DICTATORSHIPS, sovereign entities accountable only to their own rules and united by extreme structures of political and social violence. The most formidable, however, is the one whose dimensions are no longer limited by the old boundaries of the nation-state, but which instead—since they are mainly organized by global capitalism, with globalization serving as their fountainhead—span and exceed such territorial limits in a way unparalleled in history. In 2000, Michael Hardt and Antonio Negri’s book Empire offered the first thorough analysis of this novel type of deterritorialized rule and sovereign power; the authors’ goal was nothing less than to unmask it and lay bare its prominent features for a new millennium. And yet, appearing at the beginning of the twenty-first century—long after the tumultuous twentieth century had effectively

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