PRINT January 2010



Mario Montez (René Rivera) in conversation with Marc Siegel at the “LIVE FILM! JACK SMITH! Five Flaming Days in a Rented World!” conference, Arsenal Institut für Film und Videokunst, Berlin, October 30, 2009. Photo: David Velasco.

RENÉ RIVERA IS A SLIGHT, CASUALLY COMPOSED seventy-four-year-old Nuyorican in thick glasses. He’s so inconspicuous as to stand out: It took three days of encountering Rivera in plain clothes during the “LIVE FILM! JACK SMITH! Five Flaming Days in a Rented World!” conference in Berlin this past fall before I realized he was also Mario Montez—the enchanting icon who had already appeared multiple times onstage in performance, strikingly refurbished in brunette wig and soigné gloves, shrugs, and gowns. Montez, star of Jack Smith’s two most significant films, Flaming Creatures (1962–63) and Normal Love (1963–65), participated variously in the conference as audience and cynosure, living the trembling border in between.

The story of this event was as much the story of Smith as it was of Montez’s return to his “public” (insofar as a public can exist in the underground), his encore

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