PRINT April 2010



Jean Baudrillard giving a Whitney Museum of American Art Distinguished Lecture on American Art and Culture, Asia Society, New York, 1987. Photo: Jeanne Trudeau.

LAST MONTH, I was invited to participate in a round-table celebrating the legacy of Semiotext(e)—that small press begun in 1974 and responsible for introducing so many European theorists to American readers—on the occasion of its archives’ donation to Fales Library at New York University. My prescribed task was straightforward enough: to discuss the imprint’s influence on art during the past three decades. As luck would have it, however, I fell victim to a flu, and so instead of conveying my thoughts to an assembled audience, I found myself ruminating on the subject at home in bed, the gentle delirium of my fever seemingly echoed and amplified by the swirling gusts of winter’s last storm outside.

Perhaps there was something fitting about this psychological correspondence, though. Over the years, I’ve been struck by the claim—made repeatedly by the press’s founding

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the PRINT EDITION of the April 2010 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.