KEVIN JEROME EVERSON’S two-minute film Something Else (2007) begins with a bit of worn color 16 mmevidently shot for a local television-news station, perhaps sometime around 1970depicting an interview with Miss Black Roanoke, Virginia, a young woman in a scoop-necked russet gown, with a sparkling tiara perched atop her Afro. The footage seems battered by time. The sound drops out, more than once, and split-second bits of dialogue repeat, as if two prints had been badly spliced together. Following some initial questions, the awkward white male reporter asks the beauty queen whether she’d prefer to be in a racially integrated event or remain in segregated pageants. “Well, I don’t think it’s a matter of preference,” she responds, smiling sweetly into the reporter’s microphone. “I think it’s a matter really of whether I was to win or lose, you understand. Because in the
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