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MEDIA

Artie Vierkant

Artie Vierkant, Image Object Saturday 9 July 2011 5:47 PM, version Wednesday 4 January 2012 5:49 PM, 2012, digital image, dimensions variable.

IN ARTIE VIERKANT’S EXHIBITION at China Art Objects in Los Angeles last October, he presented works from the series “Image Objects,” 2010–, which consists of thick, wall-mounted Sintra PVC sheets imprinted with bright abstractions drawn in Photoshop. A few days after the opening, images of these works were posted to the gallery’s website. You’d expect the exhibition documentation on a gallery’s site to tell you transparently what a show looked like, but these files were not straightforward installation shots. Although the works are visible, they are clouded with Photoshopped pollutants, hazed by strange and obvious edits. In one image, the section where the wall meets the floor is repeated higher up, as a swath of white and gray striking through the artworks hanging on the wall. Another shows the photographer’s arm holding a balance-calibration target, the tool used to standardize

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