IN APRIL 1970, Gregory Battcock appeared in his underwear on the cover of Arts Magazine, the publication he would briefly lead as editor some three years later. Like “Andy Warhol’s Travel Piece,” the three-page spread it announces, the cover’s design, credited to Warhol, looks unfinished. Battcock is pictured in a Polaroid photo, its black jacket still attached, which has fallen at an informal angle on the gridded layout form used for the magazine’s pasteup. In the midst of this arch disarray, the critica notoriously handsome, sexually voracious bon vivant who was particularly fond of travel (on ocean liners if possible)perfectly occupies the position of gay icon. He wears white briefs and a sleeveless T-shirt and is seated with his legs splayed, sexy mustache dominating what’s visible of his backlit face (cut off, in the photograph, just above his eyes). Here we have
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