TABLE OF CONTENTS

October 2012

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Cover: Hilary Lloyd, Tower Block (detail), 2011, JVC LCD 42" monitor, Western Digital HD media player, Unicol VS1000 trolley.

October 2012, Vol. 51, No. 2

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COLUMNS

Ivan Karp at OK Harris, New York, ca. 1970.

PASSAGES

Robert Pincus-Witten on Ivan Karp

Left: Cover of Douglas Crimp, “Our Kind of Movie”: The Films of Andy Warhol (2012). Right: Cover of J. J. Murphy, The Black Hole of the Camera: The Films of Andy Warhol (2012).

BOOKS

Branden W. Joseph on two new studies of Warhol’s films

View of the Temenos during the premiere of order VII of Gregory J. Markopoulos’s Eniaios, 1947–91, Lyssaraia, Greece, June 30, 2012. Photo: Linda Levinson.

FILM

P. Adams Sitney on Temenos 2012

Still from Miguel Gomes’s Tabu, 2012, 16 mm and 35 mm, black-and-white, sound, 118 minutes. Left: Young Ventura (Carlota Cotta).

FILM

J. Hoberman on Miguel Gomes’s Tabu

Joe Namy, Automobile, 2012. Performance view, in front of Ashkal Alwan, Beirut, July 31, 2012. Photo: Ghalas Charara.

ON SITE

Kaelen Wilson-Goldie on Ashkal Alwan’s Home Workspace Program

Bob Dylan, Coney Island, New York, ca. 2006. Photo: David Gahr.

MUSIC

John Elderfield on Bob Dylan’s Tempest

top ten

Jay Chung & Q Takeki Maeda

Two stills from M. F. Husain’s Through the Eyes of a Painter, 1967, TK mm, black-and-white, 17 minutes 35 seconds.

SLANT

Beth Citron on M. F. Husain’s Through the Eyes of a Painter

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Ian Wallace, Lookout (detail), 1979, twelve hand-colored gelatin silver prints, each 36 x 48“, overall 3' x 48' 3/8”.

Focus Preview

Ian Wallace

Fall Exhibitions

36 shows worldwide

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Simon Hantaï, Étude, 1969, oil on canvas, 108 1/4 x 93 3/4". From the series “Étude,” 1968–72.

CLOSE-UP: MANIFOLD ADDRESS

Molly Warnock on Simon Hantaï’s Étude, 1969

Chris Johanson, Untitled, 1996, acrylic on wood, 60 x 40".

GOLDEN STATE: THE ART OF CHRIS JOHANSON

Jon Raymond

Dan Graham, Pavilion/Sculpture for Argonne, 1981, two-way mirror, glass, steel frame. Installation view, Argonne National Laboratory, Argonne, IL.

VANISHING POINT: THE CONTEMPORARY PAVILION

Sylvia Lavin

Philippe Rahm Architectes, Evaporated Rooms, 2011–12, Lyon, France. Apartment interior. Photo: Nicolas Pauly, 2012.

TRADING SPACES: A ROUNDTABLE ON ART AND ARCHITECTURE

Thomas Demand, Hal Foster, Steven Holl, Sylvia Lavin, Hilary Lloyd, Dorit Margreiter, Hans Ulrich Obrist, Philippe Rahm, moderated by Julian Rose

Glass floor covering soil said to be brought by Saint Helena from Jerusalem, Church of Santa Croce in Gerusalemme, Rome, 2006. Photo: Holly Hayes.

ART OUT OF TIME: THE RELIC AND ROBERT SMITHSON

Alexander Nagel

Still from Luke Fowler’s All Divided Selves, 2011, HD video, color and black-and-white, sound, 93 minutes.

UNDVIDED ATTENTION: THE ART OF LUKE FOWLER

Martin Herbert

Justin Matherly, New Beaches (detail), 2012, glass-reinforced concrete, ambulatory devices, 10' 6" x 11' x 6'. Installation view, City Hall Park, New York.

OPENINGS: JUSTIN MATHERLY

Bob Nickas

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View of “The Brain,” 2012, Kunsthalle Fridericianum, Kassel. Photo: Roman März.

Daniel Birnbaum on Documenta 13

El Anatsui, Broken Bridge, 2012, mixed media. Installation view, Galliéra, Musée de la Mode de la Ville de Paris. Photo: André Morin.

Sarah K. Rich on La Triennale: “Intense Proximities”

Ry Rocklen, Painting Tile Floor (detail), 2011–12, found paintings, concrete, wood, spray paint, dimensions variable. Installation view, Los Angeles Municipal Art Gallery, Barnsdall Art Park.

Michael Ned Holte on Made in L.A. 2012

View of “Displace, Disclose, Discover: Acts of Painting, 1960–1999,” 2012. From left: Marc Devade, Untitled, 1976; Marc Devade, Untitled, 1975; Marc Devade, Untitled, 1976; Marc Devade, Untitled, 1976. Photo: Philip Bernard.

Molly Warnock on “Displace, Disclose, Discover: Acts of Painting, 1960–1999”

Domenico Gnoli, Ritratto di Luis T (Portrait of Luis T), 1967, acrylic and sand on canvas, 18 1/2 x 15".

New York

Oscar Santillan, The Castle, 2009–11, book pages, tape, glue, 4 x 16 x 16". From “paperless.”

Winston-Salem, NC

David M. Lubin on “paperless”

Charles LeDray, Mens Suits, 2006–, mixed media. Installation view.

Miami Beach

Alpesh Kantilal Patel on Charles LeDray

Jerome Acks, Album (#1–80), 2012–, found albums, spray enamel. Installation view.

Chicago

Michelle Grabner on Jerome Acks

Katharina Wulff, Die Verbindung (The Connection), 2008, oil on canvas, 48 x 68 1/2".

San Francisco

Lisa Turvey on Katharina Wulff

Charles Mayton, for the painter of unknown languages, 2012, oil and gouache on canvas, 72 x 60". From “Needles in the Camel’s Eye.”

Los Angeles

Jorinde Voigt, Ludwig van Beethoven/Sonate Nr. 6 (Opus 10 Nr. 2), 2012, ink and graphite on paper, 34 x 55 1/8".

Toronto

Scott Lyall on Jorinde Voigt

Markus Karstieß, Solaris II, 2012, raku-glazed ceramic, plywood, 19 7/8 x 15 1/8 x 1 1/8".

London

Brian Duggan, Everything can be done, in principle, 2012, timber, canvas, roller skates, 1890s Wyoming period costume, sound. Installation view.

Carlow, Ireland

Declan Long on Brian Duggan

Isabelle Cornaro, Paysage avec poussin et témoins oculaires (version V) (Landscape with Poussin and Eyewitnesses [version V]), 2012, wood, concrete, found objects. Installation view.

Grenoble, France

Paul Galvez on Isabelle Cornaro

Tomasz Kowalski, Untitled (Cat), 2012, oil on canvas, 67 x 59".

Berlin

Jurriaan Benschop on Tomasz Kowalski

Bettina Pousttchi, Framework (detail), 2012, ink-jet prints on adhesive vinyl. Installation view.

Frankfurt

Barry Schwabsky on Bettina Pousttchi

Michaela Melián, Lunapark, 2012, slide projector, record player, slide, glass objects, motor, particle board, stretcher frame with rear projection foil, with sound, 106 1/4 x 47 1/4 x 76 3/4".

Munich

Daniela Stöppel on Michaela Melián

Rebecca Horn, Berlin Exercises, 1974–75, 16 mm, black-and-white, sound, 42 minutes.

Bremen, Germany

Bibiana Obler on Rebecca Horn

Asger Jorn, The Minstrels of Meigle, 1966, oil on canvas, 35 x 45 5/8".

Lausanne, Switzerland

Karen Kurczynski on Asger Jorn

Riccardo Beretta, Donnerwetter, 2011–12, natural dyed veneers, wood, brass, 93 1/4 x 63 x 16 1/8". Performance view.

Milan

Marco Tagliafierro on Riccardo Beretta

Francesco Arena, Orizzonte (Horizon), 2012, iron, Lampedusa soil, 7 7/8“ x 23' 10 1/4” x 3 3/4".

Rome

Pier Paolo Pancotto on Francesco Arena

Thierry De Cordier, Nada, 2012, oil paint on canvas, 11' 5 3/4“ x 7' 6 1/2”. Installation view, Saint Bavo Cathedral, Ghent. From “Sint-Jan.”

Ghent, Belgium

Javier Hontoria on Sint-Jan

Robert Zandvliet, Red Studio, 2009, gesso and tempera on linen, 80 x 91".

The Hague

Hans den Hartog Jager on Robert Zandvliet

Marianne Heier, Diamond, 2012. Performance view.

Bergen, Norway

Johanne Nordby Wernø on Marianne Heier

Larry Abramson, 1967 (Ha’Aretz) (detail), 2011–12, oil, crayon, and graphite on newspaper, fifty-two sheets, each 20 1/2 x 16 1/2".

Tel Aviv

Nuit Banai on Larry Abramson

View of “Bucharest Biennale 5,” 2012. Inside: Vesna Pavlović, Search for Landscapes, 2011. Outside: Abbas Akhavan, Untitled Garden, 2009.

Bucharest

Kaelen Wilson-Goldie on Bucharest Biennale 5

Berlinde De Bruyckere, The Wound II, 2011–12, wax, epoxy, leather, wood, horse hair, fabric, and iron, 45 1/4 x 24 3/4 x 12 1/2". From the series “The Wound,” 2011–12. Arter.

Istanbul

Mine Haydaroglu on Berlinde De Bruyckere

Gisele Camargo, Falsa Espera (False Wait) (detail), 2012, synthetic enamel and oil on wood, 2' 7 1/2" x 124'.

São Paulo

Sérgio Martins on Gisele Camargo

Santiago Villanueva, Panel 1, 2012, ink-jet prints on illustration paper, 27 1/2 x 19 5/8".

Buenos Aires

María Gainza on Santiago Villanueva