TABLE OF CONTENTS

books

Thelma Golden

THELMA GOLDEN

While I usually think of summer as a chance to indulge in fiction, this year I’ll be reading Huey Copeland’s Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America (University of Chicago Press). Copeland will look through a twenty-first-century lens at the legacy of slavery and will offer the first in-depth examination of how four groundbreaking artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—reimagine and represent the enslaved. His volume captures a moment of innovation spanning the late 1980s and early ’90s, unpacking the influences, challenges, and concerns that converged to inform the radical, large-scale installations his subjects created. An associate professor of art history at Northwestern University (and a frequent contributor to Artforum), Copeland has been an active voice in the discourse on contemporary

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW at the special holiday rate of $45 a year—70% off the newsstand price. You’ll receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the Summer 2013 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.