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Anthony Caro

Anthony Caro working in his Camden Town studio, London, 1989. Photo: John Riddy. © Barford Sculptures Ltd.

ALL OF US WHO WERE CLOSE TO ANTHONY CARO (Tony to his friends, an international society of thousands) were certain that he would live to be at least one hundred, making significant sculpture all the way. My impression was that he thought so too, though the last few times I saw him he spoke confidingly about the experience of being really old (he was eighty-nine when his heart gave out on October 23, 2013) and how different that was from anything he had quite imagined. In fact, when I spent two days with him this past July in his Camden Town studio, his legs were hurting so much that he found it hard to walk—in retrospect an alarming sign. But as usual, nothing could diminish his resolve to go back into perhaps half a dozen sculptures that to a greater or lesser degree required further work, and he sat in a chair with wheels that could be pushed from one part of the studio to

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